I’ve been so into actress Tessa Thompson this year! And apparently I’m not the only one: The Cut just featured her in an article titled “Tessa Thompson Knows People Can’t Stop Thinking About Her.” It’s something about the way she talks, right? She’s trance-like and so very deep. And her style. I loved her in “Sorry to Bother You” and she uniquely delivers such a great depiction of a Millennial creative-careerist-mom-wife as Bianca in the “Creed” movies. I can’t wait to see her in her own starring role, though, not just in a role that’s there mostly to just be a girlfriend or wife.
Three podcast reccos
Books of Your Life, hosted by Goodreads co-founder Elizabeth Khuri. She talks to famous people about the books that have deeply influenced their lives.
Art for Your Ear, hosted by Jealous Curator founder Danielle Krysa. She talks to contemporary artists about their practice, inspirations, and more. Try this episode with Los Angeles-based painter Seonna Hong (that’s her work below).
Unruffled Podcast hosted by Sondra Primeaux and Tammi Salas explores the connection between creativity and recovery through interviews with creators of all stripes. It’s so inspiring. I like that the guests offer their own favorite recovery/creativity tools.
Painting by Seonna Hung
Screen Prism’s “Mad Men” videos
Ahhhh! I LOVE this YouTube channel that features video analysis of film and TV shows and characters. Get ready to binge. They’re like taking a film history, movie 101, and screenplay writing class for free. Of course, the super smart “Mad Men” character examinations are my favorite, but poke around, watch, and have your own movie-like ah-ha moments. (Oh also! Film fans should follow the One Perfect Shot Twitter account. It posts perfectly DOP-ed movie shots. The freeze framing lets you meditate on why a scene is so visually powerful.)
Kopari Coconut Melt
I got this stuff as a free sample from Sephora and I’m so grateful. It’s saving my hands and face this winter, which always sucks the life out of my skin. It’s basically coconut oil cream that melts into your skin once you apply it. Guess I’ll be buying a giant tub of it once this tiny sample is gone.
The “Can You Ever Forgive Me?” soundtrack
In this new movie, Melissa McCarthy is brutally good as author Lee Israel, who is infamous for the forgery she committed of letters by legendary writers (and for her alcoholism, which they depict in the movie with such accuracy and objectivity… the scene where we find out how disgusting her apartment is reminded me of Augusten Burroughs’ apartment reveal in “Dry”; he only shows the reader how disgusting his apartment is once he gets home from rehab).
Gray, cold, and funny, the movie also has a soundtrack that’s lethargic and serene… like a rain cloud you’ve gotten used to and rather enjoy constantly hanging over your head. It’s got so many wonderfuls on it: the Pixies, Peggy Lee, Dinah Washington, Chet Baker, Justin Vivian Bond, and this gorgeous Jeri Southern song that I had never heard before I watched the movie, but that I now want playing whenever I need a rainy day reprieve.
xoxo this album cover and its title… “Coffee, Cigarettes, & Memories.”
This quote from an InStyle interview with civil rights attorney Gloria Allred
“I don’t think fear is useful. I think fear is a weapon that has been used to deny women their rights.”
This passage from “The Woman Upstairs” by Claire Messud
“It was supposed to say ‘Great Artist’ on my tombstone, but if I died right now it would say ‘such a good teacher/daughter/friends instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL. Don’t all women feel the same? The only difference is how much we know we feel it, how in touch we are with our fury. We’re all furies, except the ones who are too damned foolish.”
It’s ten past nine in the morning and my ass boasts the gridiron stripes of a beach chair.
I’m trying to read my book—a jaunty little beach read about AIDS in the 1980s—but I keep getting distracted.
I’m getting distracted by the beautiful Dominican women who are getting distracted by the Speedo-clad European men who are getting distracted by the unmistakable sounds of Pitbull drifting ashore from the island about a mile out.
Maybe I’m misremembering, but isn’t there a G-20 rule that Pitbull is only allowed to be played strictly between the hours of 11pm and 4am? You know, the timeframe when you can shamelessly acknowledge that you somehow know every word to every Pitbull lyric. Of which there are three.
I guess that rule doesn’t stand in the Dominican Republic, which is where I’m staying for the week with my husband and mother-in-law. It’s day three of our much-needed vacation, and we’ve each taken the morning to do our own thing. This was an unspoken arrangement necessitated by the former evening’s discontent slash disembowelment courtesy a dinner at the resort’s French restaurant. There should be a G-20 rule that Caribbean island hotel chefs don’t attempt French cuisine. Yes, the food here is total shit. I’m hungry and have been sustaining the past two days mostly on room service pineapple slices and the rogue mints strewn about the resort’s makeshift lounge areas. Their clear candy dishes double as ashtrays in the evening. Everything here is damp.
No matter. I still give this Caribbean island resort 10 out of 10 stars. Because it is, after all, a Caribbean island resort. But to be honest, trying to decide what to do with myself this lazy, self-directed morning has been a bit of a task for me. Three reasons:
Like a forlorn beached whale, I feel uncomfortable and exposed, flown in here from the gaping wounds of the Midwest cornfields. This means I am a white lady that’s as white as the putty-colored sand I’m now trying to happily dig my toes into, and I have to apply SPF-100+ sunscreen every hour to avoid sun poisoning.
Having fun, enjoying myself, playing, are not things that come easily to the bumper crop of workaholics from which fate has planted me like a rotten apple tree. In some twisted way of coping with the undercurrent of guilt I’m experiencing for enjoying myself on this vacation, I feel a bit relieved that the faux-French restaurant’s attempt at a lobster thermidor the night before tasted… like the putty-colored sand I’m now trying to happily dig my toes into.
As stated, the book I brought to read on my super-duper-fun-time-vacation is making me fall in love with characters who will ultimately die terribly, tragically from AIDS.
Equally disheartening is my sudden awareness that the last time I was supposed to be lounging sublimely on a foreign beach, for my honeymoon, the book I had brought along to read was about a man with an addictive overeating habit searching for his lost, troubled son with an addictive heroin habit. It’s as if my subconscious tries to armor me with subtle reminders that where there is pleasure found, there is almost always potential-pain afoot. My subconscious is like an annoying shoulder-angel dressed completely inappropriately for this vacation in a turtleneck. I assume my shoulder-devil looks like Pitbull.
fie-urrr-bawl
This spiraling train of thought is interrupted by a neon orange flying saucer careening toward my head. It plops a foot away from me, but not before I can pretend to give a socially-acceptable level of effort to stop its descent. Like a Dominican Republic Daria.
“Ay mate,” says the strapping hunk of meat strapped in Speedo now inches from my face. He bends down to retrieve his frisbee. “Beautiful day, no?!”
“Yes,” I say.
“I’m having such a wonderful time,” I lie.
American to Aussie (in a land we’re pretending is ours when it’s convenient) we nod good day. I watch him walk away, thankful for the opaque sunglasses that let me surreptitiously stare at his Speedo bum while I appear, to anyone watching us, to read.
How do I become someone like that? A person who has a healthy enough respect for pleasure and the spiritual fortitude to enjoy it that I remember to pack a toy while I dally in the breeze that threatens to carry that same toy to <<<shudder>>> the beach next door where children are allowed. Instead, all I find remarkable right now is the way the palm tree waving above my head looked like a bodacious, billowing burlesque feather from my balcony an hour ago. But now, upon closer inspection, looks and sounds like sun-beaten, hairspray-crusted, dusty, rattling window blinds.
I apply sunscreen for the fourth time. I mostly associate palm leaves with Catholic Sunday school and Lent. I feel like, when I trace my lifelife, that there are always people, scared adults mostly, along the road reminding me like soothsayers that there was some man somewhere, sometime who died for me to live this way—so modern and unencumbered. Jesus. Soldiers. AIDS victims. Starving monks. iPhone makers. Pineapple pickers. Mermen.
Meanwhile, a seagull suicide bombs into the ocean.
Pitbull croons undisturbed.
***
Four days later, my husband and I are back in Chicago. We’ve deposited my mother-in-law at her car to drive herself back to Indiana. She’s glowing like golden corn silk with her new tan. I’m glowing like gooey glue paste with no sunburn. This is considered a win by all involved.
And despite notions I’ve give you to the contrary, I’ve decided I had a ton of fun on my vacation actually! After all, on our last day the islanders let us sail a catamaran on the ocean unattended. No training or anything. Just a life jacket and a wave. They told us where to sit as we hoisted our privileged American asses on the totally-unmotorized plastic ship and pushed us off with giant, totally-unsarcastic grins.
COFFEE IS HOT warning label-era child that I am, I’m used to having to sign a waiver of liability to do anything except cut my own toenails. Our next of kin could have sued the resort had we gotten eaten by sharks at sea, corpses on a catamaran. But instead they just let us figure it out ourselves. It was fun… refreshing, even if the food wasn’t.
It’s snowing in Chicago, but we’re both still on this oh-catamaran-my-catamaran high. So much so that we put off unpacking our bags and checking our emails and decide to play a game instead. And not just any game. We’re going to play the Ten to Ten, a game devised by my husband, Justin. Justin is our two-person family’s self-appointed Minster of Fun, because clearly I’m no good at things like having a good time, unless you count when I am drunk, but I can’t do that anymore because I did drunk as dangerously and as extremely as I do sadness.
We started playing the Ten to Ten this summer. Here’s how it works.
From a miniature velvet drawstring bag, one of us draws a dice. There are three sets of dice in this pouch, and each set is a different color of a CTA line near our apartment. Depending on which color we draw—red, brown, or blue—we will take a CTA train from that colored line to a destination. Our destination is determined by the number we roll next using the drawn dice. Once we have our color and our number, we refer to a map. On this map, we have numbered stops on the red, brown, and blue lines that we don’t visit that often but would like to see more of.
The rules of the game are that we have to now travel to that destination on the CTA and spend 12 hours exploring around the area—from ten am to ten pm.
This game is the most fun thing I’ve done since I quit drinking. I think that’s why Justin created it. He knew that, without unchecked alcoholism to help quiet my brain’s chaotic queries of crucifixes and syphilis, civilians droned and babies caged, I didn’t know how to have fun in a healthy way. He knew that, in fact, I probably never knew how to have fun in a healthy way. Fun to me used to look like a blackout.
But today I am almost two and a half years dry. And today, destiny has handed us a good mood and selected us a Brown dice and rolled for us a 6. Off we cruise by bus, then traincar to the Wellington stop.
First, we stop by a place that calls itself a bread café and eat dinner over a tiny table for two. I take a picture of the lace curtains that have happy chickens sew onto them. We stop by a free art gallery we stumble across as we traverse the neighborhood’s sidewalks. We get ice cream. The beauty of the Ten to Ten is that if forces us (me) to get out of our heads (my head). Without having a specific destination or two to hit up before heading back home, we find things we never would have otherwise.
For example, by 8 p.m. this evening we’ve ventured South enough to be on DePaul’s campus. Passing a gymnasium, we see volleyball players warming up through the crack of the heavy gym door. A game is starting. Do we wanna watch? Why not. They have volleyballs to kill and we have to hours to do the same. We fork over five dollars and climb the staticky bleachers to a seat.
As we cheer for the Lady Blue Demons, of which for the next hour we are diehard fans, we remark that we never would have done this together had it not been for the Ten to Ten. We finish out our evening strolling the campus, poking fun at the college’s marketing slogans by night that I very well could have written in my job by day. When we finally get back home, I smile behind Justin’s back as he unlocks our apartment door. It’s a real smile, as if I’m pushing clueless foreigners out to adventure and sunset on a catamaran. In this moment I feel so genuinely happy and I’m thankful for this person. A person who manages to always show me happiness despite his own lifeline landlocked by distress and anxiety, fear and sleep apnea.
I think it’s fair to call Leslie Jamison’s recent book about her experience with alcoholism a tome. It’s really long and the wispy pages are as thin as the memory of cigarette smoke. The book tome mixes multiple genres, including memoir, literary criticism, journalism, and cultural critique, into a potent zero proof cocktail. The 14 sections are titled with one-word themes of stops on her addiction and recovery journey (Wonder, Abandon, Blame, Lack, Shame, Surrender, Thirst, Return, Confession, Humbling, Chorus, Salvage, Reckoning, Homecoming). Less like a 14-step guidebook and more like a cycle of grief with ambiguous and overlapping boundaries, “The Recovering” is a must for anyone whose life has been touched by addiction; in fact, that’s exactly who she dedicated the book to. I am especially loving her deconstruction of the myth of the connection between alcohol and the talented creative writer. One thing, she argues, does not beget the other, and we should maybe stop romanticizing a destructive narrative that lets alcoholics stay trapped.
This will sound silly and/or phony and/or a line from an SNL skit about aging hipsters, but I don’t care: I’ve been really into still life paintings lately. Ha! I don’t know when it started (maybe right after we uninstalled Gone, Country?). I am usually drawn to loud, bombastic art or highly graphic design or minimalist pieces bridging on nothingness. Never still life. Ew, boring! Until now. I suppose it’s tied to my desire to slow down a little. I’ve been working like a Bronte madwoman in the attic this year, and I think my psyche is catching up with me. “Seriously, slow the fuck down,” it says. “Here. Look at this pretty painting of material objects and ripe fruit to remind you that you are dust and to dust you shall return. And also that you need to eat something soon, OK?”
And then (devoted readers like me are familiar with this experience) a book I’ve needed to help me put words to what I’m going through found me before I could find it. “Still Life with Oysters and Lemons,” published in 2002, offers a longform musing, dissection, and memoir hybrid-essay that explores the mystery and love of still life artwork. In it, writer Mark Doty is a brilliant word magician (ahem, painter?) who deeply encapsulates the meaning of still life (and a still life). Perhaps no other book about still life needs to be written? “Especially not by you, Jackie, so take a nap,” my psyche moans.
Ugh. Beautiful.Even Unabridged Bookstore in Lakeview loves this book! I found this talker recommendation AFTER I finished this book. Big magic strikes again.They also gave me this little friendly reminder. Happy almost holidays!
Agnes Richter was institutionalized in Germany in 1893 when she was 49 years old. She pieced together this jacket during her time in the asylum using materials on-hand, like linens, wool, and thread, likely from her work as a seamstress in the institution. The embroidery is worn down and sweat stains abound, but some of the writing can still be read in deutsche schrift, a German script that’s nearly obsolete. Some of the phrases historians have deciphered: “I am not big,” “I plunge headlong into disaster,” and “583m,” her case number. Read more here.
If we’re to believe some very trustworthy readers on Instagram (we are), this novel about how the AIDs epidemic changed 1980s Chicago is one of the best books of the year. The National Book Awards agree: “The Great Believers” was tapped last week for the fiction longlist. I’m especially excited to read it because the author, Rebecca Makkai, is a leader of the Chicago literary scene and creative director of Story Studio in Ravenswood. It’ll be fun to dive into 1980s Chicago from the comfort of 2018 Chicago. I think. <reads news and shivers>
Speaking of Story Studio, I attended its Writer’s Festival at the end of September and took a class about flash fiction taught by this author, Juan Martinez. We read some Kafka and I fell in love with reading all over again (I mean, that’s not hard to do, but I had never really read flash fiction before, and this crash course was like finding a tattooed new crush hanging out in the library). “Best Worst American” is a compilation of Martinez’s best flash fiction and short stories.
This novel follows the story of Hildy Good, a hilarious recovering alcoholic who has some secrets in her cellar. Ann Leary (NPR host and Denis Leary’s wife) has struggled with alcoholism herself, and it shows. I mean that in the best way possible. She writes about the experience of alcoholism with a brutally real but empathetic truth that reminded me of how terrifying addiction is when you live in its never-ending dirty cycle. To see yourself on a page, to be seen, is always cathartic. Even when it’s not the you that you want to be reminded of.
Jordan Peterson is a therapist, thinker, and, I’d argue, philosopher who is reviled by the left. However, he has some very interesting things to say in terms of finding your own personal worth and creating a mindset that helps you not only survive the chaos of daily life, but thrive in it. Rule number one, for example, is to “stand up straight with your shoulders back.” This isn’t a power move or a threatening stance, he says, but one that helps you “stand the hell up, with courage, and take it.”
We uninstalled Gone, Country a few weekends ago, and I want to say THANK YOU from the bottom of my blueberry heart to everyone who came out to shows, performed at shows (you all were incredible!), bought an embroidery, bought a book, and/or simply said a kind word or thoughtful insight about the work/concept in all its parts.
I can’t believe I did this, and I am pinching myself a little still… I couldn’t have survived it in one piece without all the encouragement, so thank you. Especially to Justin, and the Slate Arts Gallery team. Can’t wait to do another one following, like, a six-month nap…
I hope you think of me whenever you see gaudy lawn flamingos doin’ it for themselves. Just trashy pink collar girls trying to stand strong in a white collar world. We gonna make it, Pip.
Slate Arts gallery in Chicago’s Humboldt Park neighborhood is hosting an exhibition of my embroidery work throughout the month of September! Each Saturday at 8 p.m., join us for a **free** performance of storytelling and live lit by me and some of my favorite writers in the city. The show Gone, Country includes 20 pieces of embroidered artwork framed in repurposed barn wood, two banner collages, and a creative nonfiction book I wrote as a companion piece to the exhibit ($20). See you there!