Category: Inspiration // Cool

#SundaySentence: Misdirected instinct

Jackie Mantey Leave a comment

For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)

“Nearly every serious emotional problem can be seen as a case of misdirected instinct.”

Some food for thought from AA’s “Twelve Steps and Twelve Traditions,” Step four: Made a searching and fearless moral inventory of ourselves.

I used to think step four was the scariest! Now I welcome it. You can’t improve anything if you only look at what’s working. This quote reminds me that I’m not alone in any problem (there are 7.6 billion other humans out there with the same instincts), and it reminds me that any internal challenge is surmountable.

Same goes for you, my friend. If you were fearless — if you weren’t worried about how looking at your weaknesses would make you feel — what could you change for the better?

Art you should know: Genieve Figgis’ haunting paintings

Jackie Mantey Leave a comment

The past few months I’ve been grooving to a morning routine that’s 100% helped me get 85% focused for each day. It involves some variation of tea (I’m that person now… tea drinkers are to blogging about being a tea drinker as marathon runners are to 26.2 bumper stickers), journaling, reading, and watching a meditation or an affirmation video. I know, affirmations seem so corny, but I swear to 20-something granola Jesus, they have helped me out of many a morning funk.

While I try to watch the meditation or affirmation videos ~mindfully~, I sometimes—almost all the time—end up getting distracted and, instead, mindlessly scroll through Pinterest (I figure my subconscious is picking up on whatever’s audibly streaming at me in the moment, so all is not lost). Pinterest is one of the few (two) social media platforms that don’t make my blood pressure rise (the other being Instagram). I end up pinning artwork the most. It’s such a visual platform and has helped me discover many artists whose work I really enjoy or feel inspired by. Or, the best, feel rapturously in awe of.

Genieve Figgis on being a mother, the challenges of being an artist, what she loves about painting, the darkness in her experimental work, and who she finds inspirational.

Genieve Figgis was one such morning scroll find.  

The Ireland-born and -based painter creates murky, dramatic scenes that are at once recognizable but elusive. They continuously capture my attention and then do something with said attention that’s increasingly impossible in an oversaturated visual culture—hold it.

“Not doing what was told would be my future, avoiding that, was just so fantastic”

Painter Genieve Figgis

Her work makes me feel like I’ve been in it before. Not just seen it; known it intimately. Like when you see, for a split second, a face on the street and you do a double-take because it kind of looks like a kid you used to know in high school. And that kid definitely died three years ago.

“The Swing After Fragonard,” by Genieve Figgis (A la, “The Happy Accidents of The Swing,” the 1767 oil painting Jean-Honore Fragonard.

The familiarity I feel toward her acrylic paintings is partly easy to explain: We’ve all seen some crisper version of it, as she often uses 18th century paintings of aristocratic life as her starting point. But her work also feels familiar because of its ability to evoke the kind of primal dread that is exciting and addictive. The kind of dread you can’t turn away from. The kind of dread where you don’t understand you’ve sauntered into something deadly until the teeth around you have already closed… you were just stunned by the beauty and sipping your Earl grey and then BOOM, you’re falling down the throat of the beast.

The dramatic danger, the warning, her paintings seem to emanate is made fully clear after you spend more than a scroll-click-Pin with it. In fact, the more I look at her paintings, the more they seem to melt before my very eyes. I find that darkly exciting too.

“If you’re really enjoying something you don’t need to see the end of the road, the finishing line. That’s not always going to be the ultimate triumph, you know? If you’re not enjoying the journey, the end result will be no good.”

Painter Genieve Figgis

Suggested reading:

Zero Proof: Lit

Jackie Mantey Leave a comment

In the latest episode of Zero Proof Book Club, Shelley and I discuss Mary Karr’s third memoir, “Lit,” detailing her heavy drinking days and eventual recovery and conversion to Catholicism. We talk about the art of writing memoir, the unique shame of drinking as a mother, spirituality, and lots more.

Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.

This book represents a positive turning point for my eventual sobriety, feeling a familiarity with Karr’s alcoholic anger and a longing for her hard-won sober peace. But Shelley, who read it a couple years after she quit drinking, had a different experience with the book.

Karr is a professional writer and a dedicated AA-er (in “Lit” she calls it “the therapy group for people trying to quit”), so you know she’s all about her coffee. Our newest podcast episode, in which we discuss Karr’s gorgeous, painful memoir about her alcoholism and recovery, pairs well with this iced coffee drink. For this upgrade on black coffee in a styrofoam cup, we poured cold brew coffee over ice and stirred in a little maple syrup and oat milk (pick your favorite creamer or non-dairy milk).

About “Lit: A Memoir”

What to expect: A groundbreaking entry in the quit lit canon, served with a side of southern sass and literary acuity

From the book jacket: “‘The Liars’ Club’ brought to vivid, indelible life Mary Karr’s hardscrabble Texas childhood. “Cherry,” her account of her adolescence, ‘continued to set the literary standard for making the personal universal’ (Entertainment Weekly).

Now, ‘Li’t follows the self-professed blackbelt sinner’s descent into the inferno of alcoholism and madness—and to her astonishing resurrection. Karr’s longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting blueblood poet produces a son they adore. But she can’t outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in ‘The Mental Marriott,’ with an oddball tribe of gurus and saviors, awakens her to the possibility of joy and leads her to an unlikely faith. Not since Saint Augustine cried, ‘Give me chastity, Lord-but not yet!’ has a conversion story rung with such dark hilarity.

‘Lit’ is about getting drunk and getting sober, becoming a mother by letting go of a mother, learning to write by learning to live. Written with Karr’s relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.”

— Lit: A Memoir

#SundaySentence: Maud

Jackie Mantey Leave a comment

For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)

“My heart would hear her and beat/ Were it earth in an earthy bed; My dust would hear her and beat/ Had I lain for a century dead; Would start and tremble under her feet/ And blossom in purple and red.”

From ever-the-romantic Lord Alfred Tennyson’s “Maud,” as read in Margaret Atwood’s “Alias Grace.”

Also, a babe.

My list of books to read this month

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Before She Knew Him by Peter Swanson

I’m spending some time OOO later this month and I needed a good vacay read. This recently published book, my March Book of the Month Club pick, should do the trick. It’s the story of an artist who is increasingly convinced her next door neighbor is the culprit of an unsolved murder. That, or she’s having another psychotic episode. Can she stop him—or herself—before someone else gets hurt? I’ll find out in Orlando. 😉

Alias Grace by Margaret Atwood

A buddy of mine wanted to read this 1996 Atwood classic, so I hopped on board and am heading back to 1843 to meet Grace Marks, a young woman jailed for murdering her housekeeper but whose guilt is being questioned by someone who could save her from a life in prison. I’m not too far in, but it’s already got that Atwood-spook. The scenes of Grace’s childhood in Ireland, during which she helps parent the nine-kids-deep family, has me saying a Handsmaid-y Praise Be for birth control.

Time Is The Thing A Body Moves Through by T Fleischmann

I really enjoyed reading Fleischmann’s earlier work “Syzygy, Beauty,” and was excited to receive an advanced copy of their forthcoming narrative essay, “Time Is The Thing A Body Moves Through,” to write about for a literary publication. Here’s the description: “How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzalez-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.”

#SundaySentence: Finding beauty in being alive

Jackie Mantey Leave a comment

For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)

“And really, she reminds me, isn’t some information about being alive beautiful enough? That we dry forks and touch hair and throw away a sock?“

From T Fleischmann’s forthcoming autobiographical narrative “Time Is The Thing The Body Moves Through,” due out in June from Coffee House Press. Preorder it here.

Seven things I’m loving this month

Jackie Mantey Leave a comment

“Killing Eve”

Thanks to a beloved cousin’s wedding and some previously planned plane-hopping home to Ohio, I’ve been doing a lot of traveling this month. I needed a new TV show to binge while I was airport bound, and “Killing Eve” did not disappoint.

The BBC America series is about Eve, an M15 security guard turned international spy (played by the incomparable Sandra Oh), who is on one twisted (and surprisingly funny) hunt for a psychopathic murderer named Villanelle (played by the also awesome Jodie Comer).

Seeing some ladies lead the psycho game trope is really fun. And def bloody. If you didn’t love Sandra Oh already (who even are you?), you will after watching this show.

“The Philosophy of…” on YouTube

re: Psychopaths, the Wisecrack channel on YouTube does some excellently down-the-rabbit-hole worthy videos on The Philosophy Of our favorite cultural characters, movies, and TV shows.

One pot vegetarian meals

Recipes here.

In my effort to be a better, environmentally friendly human (ie. not a psychopath), I’ve been trying to eat more plants. I’ve found vegetarian recipe how-to videos on YouTube to be more helpful to me than the static veggie food porn I find on Pinterest (though I like those too).

The Good Ancestor podcast

Particularly, this brand new episode with writer Glennon Doyle. You can and should listen to all of author and speaker Layla Saad’s episodes here. My Zero Proof Book Club co-host, Shelley, recommended this episode to me (Glennon’s big in the sober movement) and tuned me into Layla’s important work about how white feminists can be better advocates for racial justice.

Seltzer Squad podcast

re: Sober movement, the Seltzer Squad podcast has been getting a lot of buzz about not getting buzzed. Each episode covers a topic that inevitably comes up in sobriety.

This body meditation

Since we’re not peeing the bed anymore, and all that.

My kitty cat

My main squeeze is now roomies with my ‘rents, thanks to my husband’s atrocious allergy to anything cat. Hanging out with Little Dude when I’m visiting home always makes my heart grow 10 sizes. ‘Till next travel, cuddle buddy.

Zero Proof: The Good House

Jackie Mantey Leave a comment

On the new episode of Zero Proof Book Club, Shelley and I discuss Ann Leary’s book “The Good House.” We’ve been reading so much quit lit and self-help, we decided to read a novel. “The Good House” by Leary, an NPR host and recovering alcoholic herself, fit the bill. Kirkus Reviews calls this book “a genuinely funny novel about alcoholism,” and we’d have to agree.

Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.

Hildy, the main character, is super funny, even if her spiraling addiction is not. We talk about the agony of hearing about what you did while drinking, the effectiveness of interventions, and, of course, witches.

About “The Good House”

What to expect: A funny, poignant novel about a struggling, high-functioning alcoholic

Pairs well with: A Virgin Mary. Tomato water with jalapeño & basil + horseradish + Worcestershire

In the book, Hildy drinks a Virgin Mary at a Thanksgiving gathering while the rest of the family downs the real thing. Our ultra-refreshing interpretation of the Virgin Mary captures the spirit of a Bloody without the booze. It incorporates tomato water, a super-concentrated liquid that captures the delicious essence of tomato. Here’s what you do:

  • Roughly chop three beefsteak tomatoes, one jalapeño and a handful of fresh basil.
  • Throw it all into a food processor and pulse until smooth. Pour into a mesh strainer lined with cheesecloth over a bowl.
  • Let it sit in the fridge for at least 12 hours, and you’ll be rewarded with a cup or so of jalapeño-basil tomato water.
  • Pour it over ice, stir in a dash of Worcestershire, grate a little fresh horseradish over top if you can find it, and garnish with cherry tomato and basil.
  • Enjoy!

From the book jacket:

“Hildy Good is a townie. A lifelong resident of a small community on the rocky coast of Boston’s North Shore, she knows pretty much everything about everyone. And she’s good at lots of things, too. A successful real-estate broker, mother, and grandmother, her days are full. But her nights have become lonely ever since her daughters, convinced their mother was drinking too much, sent her off to rehab. Now she’s in recovery—more or less.

Alone and feeling unjustly persecuted, Hildy finds a friend in Rebecca McAllister, one of her town’s wealthy newcomers. Rebecca is grateful for the friendship and Hildy feels like a person in the world again, as she and Rebecca escape their worries with some harmless gossip and a bottle of wine by the fire—just one of their secrets.

But Rebecca is herself the subject of town gossip. When Frank Getchell, an old friend who shares a complicated history with Hildy, tries to warn her to stay away from Rebecca, Hildy attempts to protect her friend from a potential scandal. Soon, however, Hildy is busy trying to protect her own reputation. When a cluster of secrets becomes dangerously entwined, the reckless behavior of one person threatens to expose the other, and this darkly comic novel takes a chilling turn.”

On writing: Find the lie

Jackie Mantey Leave a comment

I signed up for author K.M. Weiland’s Helping Writers Become Authors newsletter about a year ago, but only recently have I started really digging into her work.

It’s good stuff.

Her book “Structuring Your Novel: Essential Keys for Writing an Outstanding Story” helped me finally understand the difference between the hook, the inciting incident, plot points, and pinch points. The breakdown, in fact, was so enlightening and easy to understand that it was key to me finally wrasslin’ all of my ideas into a workable plot structure (!!!).

The notecards method was doing me no good (so overwhelming, so much trash), and the thought of the time-suck-potential of “pantsing” made me feel super itchy (and breathy with anxiety).

That was a tough egg to crack, and girlfriend has got me cooking with gas now! How do you like your omelettes, baby?!

Weiland produces her own podcast (she’s already 450-something episodes deep) and has free e-books up for grabs on her website for newsletter subscribers. If you’re trying, like me, to wade into the vast waters of writing your first novel without drowning, her stuff is a good place to start to understand the mechanics of the whole thing.

As I move forward with my own process, I’ve been trying to work on character arcs. I encounter a sort of chicken-or-egg headache (no omelettes) when I try to think of plot and character arc as separate entities. In her podcast interview with Bulletproof Screenplay (below), Weiland once again helped me see the light!

I know that in a good novel or story, a character has to change in some way, for better or worse, but, as Weiland explains, an easy way to imagine this journey is to first consider the lie that a character believes in the beginning of the story and then consider what truth they have to face near the midpoint to do something climactic toward the end. So simple. I was really forcing matters with outlandish external events, but this pro-tip helped me understand that the writer has to understand the character’s internal events first. Because of course.

You can listen to the interview here:

#SundaySentence: Toni’s call to action

Jackie Mantey Leave a comment

For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give you context and commentary.)

“We know you can never do it properly — once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light.“

From Toni Morrison’s 1993 Nobel Prize Lecture in Literature, as a younger generation speaks to the artists, the writers, the people who are struggling to make way before them.