Zero Proof: Drinking, A Love Story


In the latest episode of Zero Proof Book Club, Shelley and I discuss Caroline Knapp’s memoir “Drinking: A Love Story.” We gush about Knapp and her writing and talk about our sometimes complicated relationships with our own families, friends, and more.

Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.


Pairs well with…

  • Bubbly strawberry lemonade

To pair with this week’s podcast episode, we’re drinking strawberry lemonade (we love Simply Lemonade with Strawberry) mixed with ginger ale. Super simple. Simply refreshing. Just in time for spring! 🍓❤️


About Drinking: A Love Story

What to expect: An extraordinarily candid memoir published in 1997 that changed the quit lit genre for good.

I drew these hearts around author Caroline Knapp before I Googled her and learned she died of lung cancer in 2002, just six years after “Drinking: A Love Story” was published. She was 42 years old. Her work changed the way we think, write about, and discuss addiction. Especially in terms of women and addiction. What an inspiring human.

From the book jacket:

“Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as ‘liquid armor,’ a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it.

It was love at first sight. The beads of moisture on a chilled bottle. The way the glasses clinked and the conversation flowed. Then it became obsession. The way she hid her bottles behind her lover’s refrigerator. The way she slipped from the dinner table to the bathroom, from work to the bar. And then, like so many love stories, it fell apart. Drinking is Caroline Kapp’s harrowing chronicle of her twenty-year love affair with alcohol.

Caroline had her first drink at 14. She drank through her years at an Ivy League college, and through an award-winning career as an editor and columnist. Publicly she was a dutiful daughter, a sophisticated professional. Privately she was drinking herself into oblivion. This startlingly honest memoir lays bare the secrecy, family myths, and destructive relationships that go hand in hand with drinking. And it is, above all, a love story for our times—full of passion and heartbreak, betrayal and desire—a triumph over the pain and deception that mark an alcoholic life.”

— Drinking: A Love Story

#SundaySentence: Misdirected instinct


For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)


“Nearly every serious emotional problem can be seen as a case of misdirected instinct.”


Some food for thought from AA’s “Twelve Steps and Twelve Traditions,” Step four: Made a searching and fearless moral inventory of ourselves.

I used to think step four was the scariest! Now I welcome it. You can’t improve anything if you only look at what’s working. This quote reminds me that I’m not alone in any problem (there are 7.6 billion other humans out there with the same instincts), and it reminds me that any internal challenge is surmountable.

Same goes for you, my friend. If you were fearless — if you weren’t worried about how looking at your weaknesses would make you feel — what could you change for the better?

Art you should know: Genieve Figgis’ haunting paintings


The past few months I’ve been grooving to a morning routine that’s 100% helped me get 85% focused for each day. It involves some variation of tea (I’m that person now… tea drinkers are to blogging about being a tea drinker as marathon runners are to 26.2 bumper stickers), journaling, reading, and watching a meditation or an affirmation video. I know, affirmations seem so corny, but I swear to 20-something granola Jesus, they have helped me out of many a morning funk.

While I try to watch the meditation or affirmation videos ~mindfully~, I sometimes—almost all the time—end up getting distracted and, instead, mindlessly scroll through Pinterest (I figure my subconscious is picking up on whatever’s audibly streaming at me in the moment, so all is not lost). Pinterest is one of the few (two) social media platforms that don’t make my blood pressure rise (the other being Instagram). I end up pinning artwork the most. It’s such a visual platform and has helped me discover many artists whose work I really enjoy or feel inspired by. Or, the best, feel rapturously in awe of.


Genieve Figgis on being a mother, the challenges of being an artist, what she loves about painting, the darkness in her experimental work, and who she finds inspirational.

Genieve Figgis was one such morning scroll find.  

The Ireland-born and -based painter creates murky, dramatic scenes that are at once recognizable but elusive. They continuously capture my attention and then do something with said attention that’s increasingly impossible in an oversaturated visual culture—hold it.


“Not doing what was told would be my future, avoiding that, was just so fantastic”

Painter Genieve Figgis

Her work makes me feel like I’ve been in it before. Not just seen it; known it intimately. Like when you see, for a split second, a face on the street and you do a double-take because it kind of looks like a kid you used to know in high school. And that kid definitely died three years ago.

“The Swing After Fragonard,” by Genieve Figgis (A la, “The Happy Accidents of The Swing,” the 1767 oil painting Jean-Honore Fragonard.

The familiarity I feel toward her acrylic paintings is partly easy to explain: We’ve all seen some crisper version of it, as she often uses 18th century paintings of aristocratic life as her starting point. But her work also feels familiar because of its ability to evoke the kind of primal dread that is exciting and addictive. The kind of dread you can’t turn away from. The kind of dread where you don’t understand you’ve sauntered into something deadly until the teeth around you have already closed… you were just stunned by the beauty and sipping your Earl grey and then BOOM, you’re falling down the throat of the beast.

The dramatic danger, the warning, her paintings seem to emanate is made fully clear after you spend more than a scroll-click-Pin with it. In fact, the more I look at her paintings, the more they seem to melt before my very eyes. I find that darkly exciting too.


“If you’re really enjoying something you don’t need to see the end of the road, the finishing line. That’s not always going to be the ultimate triumph, you know? If you’re not enjoying the journey, the end result will be no good.

Painter Genieve Figgis

Suggested reading:

Zero Proof: Lit


In the latest episode of Zero Proof Book Club, Shelley and I discuss Mary Karr’s third memoir, “Lit,” detailing her heavy drinking days and eventual recovery and conversion to Catholicism. We talk about the art of writing memoir, the unique shame of drinking as a mother, spirituality, and lots more.


Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.


This book represents a positive turning point for my eventual sobriety, feeling a familiarity with Karr’s alcoholic anger and a longing for her hard-won sober peace. But Shelley, who read it a couple years after she quit drinking, had a different experience with the book.

Karr is a professional writer and a dedicated AA-er (in “Lit” she calls it “the therapy group for people trying to quit”), so you know she’s all about her coffee. Our newest podcast episode, in which we discuss Karr’s gorgeous, painful memoir about her alcoholism and recovery, pairs well with this iced coffee drink. For this upgrade on black coffee in a styrofoam cup, we poured cold brew coffee over ice and stirred in a little maple syrup and oat milk (pick your favorite creamer or non-dairy milk).


About “Lit: A Memoir”

What to expect: A groundbreaking entry in the quit lit canon, served with a side of southern sass and literary acuity

From the book jacket: “‘The Liars’ Club’ brought to vivid, indelible life Mary Karr’s hardscrabble Texas childhood. “Cherry,” her account of her adolescence, ‘continued to set the literary standard for making the personal universal’ (Entertainment Weekly).

Now, ‘Li’t follows the self-professed blackbelt sinner’s descent into the inferno of alcoholism and madness—and to her astonishing resurrection. Karr’s longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting blueblood poet produces a son they adore. But she can’t outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in ‘The Mental Marriott,’ with an oddball tribe of gurus and saviors, awakens her to the possibility of joy and leads her to an unlikely faith. Not since Saint Augustine cried, ‘Give me chastity, Lord-but not yet!’ has a conversion story rung with such dark hilarity.

‘Lit’ is about getting drunk and getting sober, becoming a mother by letting go of a mother, learning to write by learning to live. Written with Karr’s relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.”

— Lit: A Memoir

#SundaySentence: Maud


For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)


“My heart would hear her and beat/ Were it earth in an earthy bed; My dust would hear her and beat/ Had I lain for a century dead; Would start and tremble under her feet/ And blossom in purple and red.”

From ever-the-romantic Lord Alfred Tennyson’s “Maud,” as read in Margaret Atwood’s “Alias Grace.”

Also, a babe.

My list of books to read this month


Before She Knew Him by Peter Swanson

I’m spending some time OOO later this month and I needed a good vacay read. This recently published book, my March Book of the Month Club pick, should do the trick. It’s the story of an artist who is increasingly convinced her next door neighbor is the culprit of an unsolved murder. That, or she’s having another psychotic episode. Can she stop him—or herself—before someone else gets hurt? I’ll find out in Orlando. 😉


Alias Grace by Margaret Atwood

A buddy of mine wanted to read this 1996 Atwood classic, so I hopped on board and am heading back to 1843 to meet Grace Marks, a young woman jailed for murdering her housekeeper but whose guilt is being questioned by someone who could save her from a life in prison. I’m not too far in, but it’s already got that Atwood-spook. The scenes of Grace’s childhood in Ireland, during which she helps parent the nine-kids-deep family, has me saying a Handsmaid-y Praise Be for birth control.


Time Is The Thing A Body Moves Through by T Fleischmann

I really enjoyed reading Fleischmann’s earlier work “Syzygy, Beauty,” and was excited to receive an advanced copy of their forthcoming narrative essay, “Time Is The Thing A Body Moves Through,” to write about for a literary publication. Here’s the description: “How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzalez-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.”

#SundaySentence: Finding beauty in being alive


For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

(Except I totally give context and commentary.)


“And really, she reminds me, isn’t some information about being alive beautiful enough? That we dry forks and touch hair and throw away a sock?

From T Fleischmann’s forthcoming autobiographical narrative “Time Is The Thing The Body Moves Through,” due out in June from Coffee House Press. Preorder it here.

Seven things I’m loving this month


“Killing Eve”

Thanks to a beloved cousin’s wedding and some previously planned plane-hopping home to Ohio, I’ve been doing a lot of traveling this month. I needed a new TV show to binge while I was airport bound, and “Killing Eve” did not disappoint.

The BBC America series is about Eve, an M15 security guard turned international spy (played by the incomparable Sandra Oh), who is on one twisted (and surprisingly funny) hunt for a psychopathic murderer named Villanelle (played by the also awesome Jodie Comer).

Seeing some ladies lead the psycho game trope is really fun. And def bloody. If you didn’t love Sandra Oh already (who even are you?), you will after watching this show.

“The Philosophy of…” on YouTube

re: Psychopaths, the Wisecrack channel on YouTube does some excellently down-the-rabbit-hole worthy videos on The Philosophy Of our favorite cultural characters, movies, and TV shows.

One pot vegetarian meals

Recipes here.

In my effort to be a better, environmentally friendly human (ie. not a psychopath), I’ve been trying to eat more plants. I’ve found vegetarian recipe how-to videos on YouTube to be more helpful to me than the static veggie food porn I find on Pinterest (though I like those too).

The Good Ancestor podcast

Particularly, this brand new episode with writer Glennon Doyle. You can and should listen to all of author and speaker Layla Saad’s episodes here. My Zero Proof Book Club co-host, Shelley, recommended this episode to me (Glennon’s big in the sober movement) and tuned me into Layla’s important work about how white feminists can be better advocates for racial justice.

Seltzer Squad podcast

re: Sober movement, the Seltzer Squad podcast has been getting a lot of buzz about not getting buzzed. Each episode covers a topic that inevitably comes up in sobriety.

This body meditation

Since we’re not peeing the bed anymore, and all that.

My kitty cat

My main squeeze is now roomies with my ‘rents, thanks to my husband’s atrocious allergy to anything cat. Hanging out with Little Dude when I’m visiting home always makes my heart grow 10 sizes. ‘Till next travel, cuddle buddy.