For Jessi Zazu and the songs that help save us

I dated a Virginian once. A preacher’s son — the second I’d pursued; a high percentage for only being 20. Something about their balance — of fire and brimstone, innocence and hunger, optimism to believe in eternal life and pessimism to believe in a father sending his children to hell — that attracts me to them.

Like a tick on a fat dog.

He taught me sayings like that. Sometimes. Insecure about his southern upbringing in a liberal Yankee college town, his accent would mysteriously disappear as soon as we hit the Ohio border. Some Yankees made him feel bad about where he came from. Those Yankees were dicks.

I thought about him as I traveled through Pennsylvania into West Virginia this weekend. There’s enough distance between me and the me who dated him, so my thoughts were happy ones. Appreciative ones. How beautiful it would have been to grow up in the mountains, surrounded by a painting, tucked into trees.

He told me once that his first month in flat Ohio took some mental adjusting. It was jarring, startling even, to be so exposed by the topography. In a field of nothingness, horizons on all sides, how do you protect yourself? The mountains were safekeeping. The mountains were walls, the good kind. The mountains made him less afraid.

I agree. I feel better in places that live vertically. Chicago high rises scraping the sky, like a penny on a lotto ticket. Morgantown’s mountains beaming from on high.

Plus, there’s just more to look at. At our rental this weekend, I stood on the balcony one evening when the air smelled cold but felt soft. I looked out toward the skyline high above to see a hymnal of homes dotting the mountaintop. Who lives up there? What do you think they are doing? Dreaming? Lights twinkle spotty on the mountain side, mimicking the blanket of stars they’re so close to being part of.

When you know — when you can trust — that something’s ahead of you, it’s harder to be afraid.

Jimmy Cliff and Johnny Cash. “The boot the roots the radical” and “this time is not exclusive we want to stop a war.”

I’m not afraid of these songs anymore and the memories of him they send me colliding into. Instead I feel a calm. Now they’re just good songs. Songs I love.

A pleasant reminder that after the pain is gone, there’s always the music. The music that saves us.

***

I first heard “Ain’t Afraid” in February 2014, the best way how: live, standing on a floor like quick sand, sticky with beer and tears and who knows what else.

Those Darlins were playing at Rumba Café, a dark music bar that quietly hosted some of Columbus’ best shows. It was a tight squeeze in there, but always worth the liquor that got spilled on you by a neighbor shoulder-side because you could get so close to the performers. So close that you could see their goosebumps. And at Rumba, you’d always find performers who gave themselves goosebumps. Because they so believed in what they were up there doing.

“Ain’t Afraid” was a song I needed to hear that night. Their lead singer Jessi was a girl I needed to see.

I was heartsick. Justin had recently dumped me and moved two states away. I hadn’t grieved anything from the boy above or the one after that or Justin and was nursing a need to always be nursing a bottle. That winter was one where I was mentally preparing myself for a spring where I knew some things would need to change inside me. I just wasn’t ready yet. I was afraid.

But Jessi wasn’t.

Jessi Zazu at Rumba Cafe, February 2014.

At least not on stage. I was immediately drawn to her slink. Cool rock star prowl with pussy power. Then she sang and I was officially hers. She growled with a achy rawness that had dirt on its hem. The kind that can only come from living something real.

Turns out it was so real. Too real. She died from cervical cancer last week. She was only 28 years old.

After seeing her that night, “Ain’t Afraid” became my secret anthem for a little while. I loved that she croaked out the “I” and not one of the other words. It made me feel her fear of and power in herself, both coming from the same source of power, both with a chance to win until she chose strength. Behind that long, multi-noted “iiiiii” were many long, lonely nights figuring out who that “I” was — because survival wasn’t possible without it.

I needed to face those nights. And I did. I grew out of the song by spring—probably to a more confident anthem, something that dug in its tires less and mostly just cheered me on. My cuts were scarring over and I couldn’t connect with the pain in that chorus anymore, didn’t need it’s brute resolve.

But that line. That line! “I ain’t afraid anymore” still pops into my head sometimes. “Keep going,” it says. “This is your fucking life,” it says. “You choose.”

That’s a piece of Jessi’s voice in me, joined by a choir of the singers and songwriters who have all budged me a step forward. I could only dream of making something so meaningful in 28 years.

I wish I could tell her thank you for the song, for that voice, for being fearlessly, unfuckably herself.

Words on the Street: September 7, 2017

Getting straight to the point inside an electrical company’s offices in Marion, Ohio.

Passive aggressive messages left on cars happen early and often in Chicago’s crammed streets. The washed-and-dried look of these notes allow us to deduce that this car has been here for a while.

I think the theme this week is really direct signage. “Rear.” “Office.” “463.” All the news you need.

There have to thousands of nail salons in Chicago. I love seeing how they name themselves. It’s always some variation of “Nail”. Hot Nails. Cool Nails. Diamond Nails. Nails.com (which does not have a website and definitely is not the owner of the domain of which its business title speaks). Nail Story is a pretty good one. My nails would tell a super gross story.

Heh. Heh. Body man wanted indeed… Another Chicago signage trend: Body shops with really innuendo-heavy language. There’s a place by my apartment that boasts “Best Hand Job in Town.” Maybe something was lost in translation?

“When your car is feeling blue. We paint it yellow.”

Zing.

More like words on the beach. Shoutout to our honeymoon!

Clever girl. Free snacks!

Zero juice, OK?

Almost too obvious to be in a character sketch.

FYI.

Direct signage ftw.

Sometimes it’s best when you say nothing at all.

Words on the Street: August 10, 2017

A sticker on a car in Columbus. A strong, certain word for a strong, certain statement (those are supposed to be ovaries, ICYMI).

I like this Ruthie’s use of the present tense. Is you still here, Ruthie? Is you a ghost? Is is a bold choice. Is we ever really anywhere? Do we ever leave? I’m into it, Ruthie.

From the Blue Line. A train car interior covered in black plastic, bearing a single word: “Hide.” An alien looked down from the ceiling, as if he was climbing through, trying to get to his very important business meeting in The Loop. It’s an ad for the movie “Alien: Covenant.” Creepy. Cool. A word like “Hide” becomes immediately off-putting when placed inconspicuously in a daily setting. It feels more off-putting than someone actually yelling, “HIDE!”

At an Ohio hotel’s continental breakfast. It’s never too early for farm puns.

You’re right. It was won by Native American genocide, but, like, I get what you’re saying. Saving this for character dialogue someday.

Irving Park. An example of how we still mark our territory and claim it. Someone is homesick.

First place “Most Magical” pie at an Ohio county fair. When making this recipe at home, don’t forget you need two fluffy bunnies and the lady bugs must be of a friendly disposition. <3

A little free library. With an even littler step ladder. <3 <3

Words on the Street: August 3, 2017

I’ve been reading Margaret Atwood’s 2000 book, “The Blind Assassin.” Have you ever read a book and/or writer and thought, “Why am I even trying? This is brilliant.”? That’s how Atwood makes me feel. She’s a triple threat–genius storyteller, wordsmith and rebel thinker. A tiny example, this description of a dress as “… something easy to overlook but sharp, like a common kitchen implement — an ice pick, say — just before the murder.” This book is riddled with mic-drop metaphor after mic-drop metaphor.

As you can see from above, I brought my book to a baseball game. We had to get cash out of a BMO Harris ATM to get nachos for, you know, game watching (book sneaking). I liked this ATM tagline alongside the info that, though be it 2017, seat vendors are cash only.

True. This bunting in a Lakeview window display made me double take. What does it mean?? What is true??? Better question: What is not true? WHY IS LIFE SO COMPLICATED?

Stickers in River North, like writing prompts shouting from the sidewalk. What would qualify as the Last Great Riot? Why?

We went to the Museum of Contemporary Art Chicago during my bachelorette weekend to see the Takashi Murakami exhibit. The art and curation were awesome, as expected, but I was drawn to the exhibition’s title, “The Octopus Eats Its Own Leg.” It’s from a Japanese story about how an octopus will eat its own leg to save itself, knowing the tentacle will grow back. Murakami explores how artists do the same thing, but with no guarantee of regeneration. (See more of my pictures here.)

A clever name for a used clothes drop-off. USA GAIN, use again, etc. I get it… It makes me eyeroll every time I walk by it though, as if it’s saying, “Hey, it’s us again. You really need to purge your closet and donate it to us and also stop buying so much shit that doesn’t fit you.”

Server shirts at Girl and The Goat, the lightning hot Chicago restaurant. You can’t be in Chicago during baseball season without hearing “Go, Cubs, Go” chanted at least thrice. Here’s a fun take on that.

There are so many agencies in this city, it’s no surprise the science of user experience + graphic design is evident in the least expected places. I love this example from a building in the West Loop. It’s a map of all the restaurants and attractions nearby. A writer was probably the least important creative to making this happen, but there’s cute stuff in there.

Words on the Street: July 20, 2017

A CTA and a directive in one smart sentence. Napkins are so helpful.

That’s a new one to me. So says Oxford: “A red, plum-sized tropical fruit with soft spines and a slightly acidic taste. Early 18th century, from Malay ramutan, from rambut ‘hair,’ with allusion to the fruit’s spines.” Heh. Ram butt.

This image alludes to most of the writing I’ve been doing the past week. That of thank you notes. I like imagining what a “well-managed forest” looks like. The rabbits have daily staff meetings and the oaks delegate responsibilities fairly.

Mmm-hmm. Outside a vet’s office outside Chicago’s River North.

“Home is where you dive into a novel.” It’s also where you dream of being while waiting at this bus stop, trying to distract yourself with said novel.

“Made with water, barley and hops. Anything more would be like putting ketchup on a hot dog.” For those of you who don’t know, putting ketchup on a hot dog is a mortal sin to legit, born-and-raised Chicagoans. Definite regional copywriting win.

Words on the Street: July 6, 2017

Same. Cleveland.

A bus stop in Cleveland’s Birdtown. Poetry and quotes about birds.

The Crowd Theater bathroom reminder. Chicago.

“Owner/Mule”. Barroco in Cleveland. A MUST.

“Full of Character[s]”. Advertisement for a suburb hanging in downtown Chicago. I get the community theater aspect but its promise of characters rang flat considering the man in the furry outfit across the street while I took this photo. You want characters, stay in the city.

Hole. Irving Park. FYI.

Inspo: A writer’s podcast, new books, and words on the street

“10 Minute Writer’s Workshop”

This podcast published by the New Hampshire Public Radio is my new commute boost. It’s exactly what it sounds like: 10 minutes of writer talk. Each episode features a brief interview with a writer — from an LL Bean catalog writer to a best selling novelist to a TV screenwriter to Patti Freaking Smith — where they ask questions like “What’s your writing routine?” and “Dear god, how do I get as prolific as you?”

My favorite so far has been the interview with short story writer Ottessa Moshfegh.

On getting off social media:

“I think privacy and self protection from the garbage all around us is really important to a writer, especially starting out, when you don’t have those natural filters.”

Check out all the episodes here.

New books

This book, “Books for Living” by Will Schwalbe, was a gift from my brother, a librarian in Ohio. The book is a compilation of essays about Schwalbe’s favorite books and what he has learned about life from each of them. It’s a wonderful reminder of why reading is so, well, also wonderful. It’s always interesting to hear why someone likes a book you also liked and see how they got something different out of it than you did. Shout out to my BFF for the sweet Frida birthday bookmark. Do my people know me or what?

This one’s a library rental so I can’t highlight, but how real is this:

“He pressed her nose against her hair and breathed in her school smell, a smell like the flavor of a postage stamp.

Michael Chabon’s “Moonglow” is full of showstoppers like this. It’s why he’s a giant.

I wish to swim in all his sentences.

Words on the street

Sometimes the truth is louder as words. Here’s to basic, bold statements…

Inspo: Making Mainbocher, “LaRose” and words on the street

Mainbocher exhibit at the Chicago History Museum

Mainbocher was a Chicago boy who eventually became America’s first couturier. (Couturier is a word I had to Google before I went to this exhibit and it means he was America’s first “fashion designer who manufactures and sells clothes that have been tailored to a client’s specific requirements and measurements.” But not, like, clothes for the basic classes. Think more like Gloria Vanderbilt, of whom he was a fave.)

Mainbocher’s also famous for designing for the Girl Scouts and the uniforms for the WAVES, the volunteer women’s naval reserve of WWII. The WAVES were the first military women to be paid the same as their male counterparts, and part of the appeal of being a WAVE was getting a tailor made designer uniform, which sounds kind of dumb now but was a big deal post-Depression, pre-fast fashion.

Mainbocher didn’t want to be paid anything for these designs, considering it part of his duty as an American. However, all government contracts required payment of some kind. So Mainbocher charged the US Navy exactly $1.

The Chicago History Museum’s “Making Mainbocher” exhibit included a one-night showing of “Homefront Heroines: The WAVES of WWII,” a documentary with interviews starring these interesting women and incredible old footage from their training and work. I loved hearing about what drove them to volunteer for the WAVES–a need for adventure, a sense of independence, a longing to see more than their hometowns, a want for life beyond desk or house work. The strings that pulled them then seem like the same kind wrapped into women like me decades upon decades later. Beyond admiring them, I get these girls.

Director Kathleen Ryan discusses the making of the film with CHM curator of costume Petra Slinkard.

“LaRose” by Louise Erdrich

Currently reading: “LaRose,” the aching story of two families affected by one tragedy and an old native American tradition that might help them heal. Erdrich is a fantastic writer, obviously, and I’m so moved by the way she’s able to make transitions in this novel. I feel like I’m in a dream when I’m reading–or a nightmare, maybe, considering the story. There’s a lot of dialogue, but she never uses quotes, which adds to the steady but unusual flow of things.

While researching the bookstore she runs with her daughters, I found this, her blog. She writes about what she’s reading and manages to make even those small sentiments feel otherworldly:

After reading The Hidden Life of Trees, by Peter Wohlleben, my daily walks are an entirely different experience.  I see the details of a tree’s struggle, the tree’s heroic attempt to repair a slashed limb, to repel invaders, or how so often a root flare buried by a careless landscaper will eventually suffocate the strongest.  I see how hard it is to live on a boulevard and not in a forest composed of  myriad types of tree with a magical underground connection that can choose to harden against invaders or to sustain young trees with extra food. “The Hidden Life of Trees” is a marvel of understanding and science.

Words on the street

As seen at Goddess and Grocer in River North. Just cute. Happy Valentine’s and Galentine’s Day! Say more with cupcakes.

For those of you who don’t have a city subway, spots like this are located on train platforms. They are where you stand to stay warm (or at least warmer than you would be otherwise) courtesy the heat lamps overhead. That’s why the copy on this Salvation Army ad is so effective. Literally, this is where to stand if you need a place to stay warm, but it also lists the address of the closest Salvation Army, where a person who is homeless for the night can get even warmer. Subtle. Strong. Emotional but informative.

OK, this seems simple but I’ve never seen it before, maybe because I usually go to Facebook to see a location’s hours since I always know where to find it. The hours for the Museum of Science and Industry’s are listed on the hero banner of its home page. So smart. And if the museum has already closed for the day? Then it shows tomorrow’s hours. That’s so helpful, especially when Google or Facebook aren’t updated with holiday hours. This is a great example of copy information users need worked smartly into web design.

Inspo: “The Trespasser,” Chicago in the forties, and words on the street

This paragraph by Tana French

As seen in her new novel, “The Trespasser.” I have loved TF since “In the Woods” came out in ’07. Her work’s a great example of how commercial writing’s intrigue and literary fiction’s finesse can live in one hell of a thriller. I’m a quarter of the way through this new book. While I typically re-read her paragraphs a couple times because I’m struck by how she manages to say so much in four or five sentences, this one is worth pointing out. It’s one of the freshest descriptions I’ve ever seen a no-bullshit female character.

Found Chicago-in-the-summer footage

Summer, can you hear me?! This is must-watch research material for anyone writing a story about Chicago during this time period. Everyone else, take a hit and hit play. 😉

Words on the street (and the paid content bar)

This ad for the tattoo exhibit at the Field Museum made me look twice. Clever.

And then this. Too soon? #whocanturnthegraveoverwithhersmile