Tips for a successful DIY family holiday

When my family started doing its annual Great Pumpkin Day event, I only had one nephew and one niece. Now I’m up five. Total count: four nephews, two nieces.

I’m not being hyperbolic when I say being an aunt is the best thing in the world. I love these little ones as if they were my own. My idea to start Great Pumpkin Day was just an excuse to hang out with them. I was also at the point in life where I was learning one of my most value life lessons to date: No one knows what they’re doing and traditions can be started at any time, yes even by you.

What began as a family get-together has turned into an annual thing I think we all look forward to.

Great Pumpkin Day 2012

Here’s how it works. It’s so simple. We just pick a Saturday in October that we all can meet at mom and dad’s house. We dress up in costumes (optional), do fun fall stuff, eat pumpkin everything (not optional), and just hang out.

There’s no pressure to cook a huge meal, like Thanksgiving, or bring a list-full of presents, like Christmas. And it’s in fall, which, who are we kidding, is the best season of all. Again, no hyperbole.

We just had our Great Pumpkin Day 2017, and it was my favorite one yet. Here are some suggestions to get your own family holiday started.

***

Keep the guest list small.

Part of what puts so much pressure on traditional traditions is that you have a whole contact list full of family and friends you want to see during them. That’s not a bad thing, but having a special day that you only share with a few people (like for us, it’s immediate family and grandparents only) no one can get shifty that you’re spending just an hour or two at their event before bouncing to another one. It also makes your nearest and dearest less likely to skip out on the event each year. It’s easier to send your regrets when you know a ton of people will be at the party and your presence won’t be missed that much.

Do it during the day.

Here’s why: It keeps the party flexible. We start at noon and it ends whenever we’re tired. You’re not trying to “make fetch happen” in a tight three-hour window at night when the mood has shifted and everyone’s thinking about going home or what they’re going to do later.

Have fun activities.

This takes you from hangout to holiday. We’ve done face painting, pumpkin carving, coloring, crafting, kickballing, apple bobbing, trick or treating, costume fashion showing, and, new this year thanks to the addition of Justin to the family, a piñata.

Stay open to anything.

Ugh. Other holidays are a pain when there are expectations involved. So, like, don’t have any. A general theme is fine, and planning ahead is necessary, but anything goes. It’s your holiday. So about that piñata. I love Justin’s family, and during a recent birthday party for his mom they had a piñata filled with little plastic bottles of liquor and lottery tickets. Oh shit, what a fun idea! We stole their idea but used kid friendly Halloween candy instead. Who knows what we’ll do next year? Maybe a kid piñata and an adult piñata? (Yes!) Spontaneity is the fun of it.

Take SO many photos.

My greatest Great Pumpkin Day regret? I didn’t take a million photos every year! I wish I had a picture album for each edition so we could see how much the kids and our family has grown year to year.

After all, time flies when you’re having fun.

 

Interview: 10 Questions for Author Mimi Matthews

Bust magazine readers may recognize the name Mimi Matthews.

This California-based writer pens a weekly column for the feminist magazine’s website. It chronicles the mostly fascinating, truly fabulous, and sometimes straight-up weird life and style aspects of Victorian culture.

Matthews does rabidly precise research and has a thoughtful eye for a good story — from Victorians’ beautiful fall dresses made of a toasted-orange fabric (the Pumpkin Spice Girls?) to the fate of old men who married young women in the 1800s (it’s, as predicted, pretty yikes) to their gone-viral beauty obsessions (mmmm, violet perfume).

You can (and should) read her Bust entries here. I, being an auburn-leaning ginger, am partial to the one about why auburn haired women were beloved (we cray!):

Auburn hair, with a florid countenance, indicates the highest order of sentiment and intensity of feeling, along with corresponding purity of character, combined with the highest capacities for enjoyment and suffering.

Matthews has two non-fiction books on the way, including “The Pug Who Bit Napoleon: Animal Tales of the 18th and 19th Centuries,” due out in November, and “A Victorian Lady’s Guide to Fashion and Beauty,” due out July 2018.

As an attorney with a Juris Doctor and a Bachelor of Arts in English Literature, it’s no surprise Matthews can expertly handle not only separating fact from fiction — but making them play together nicely.

Proof: Her debut fiction novel “The Lost Letter.”

This Victorian romance is the perfect companion for a cuddled-up Fall Saturday. It follows the story of the dynamic Sylvia Stafford. The tragic death of her father demotes her to a life of spinsterhood (no more pumpkin colored evening gowns for Ms. Sylvia!), until fate intervenes and she is reunited with her former love, the once charming Colonel Sebastian Conrad, gone surly and sour from a devastating battle wound. The Victorian countryside is the  lush backdrop for this story of love, loss and redemption.

In the following interview, Matthews talks about her own love affair with the Victorian era, how she balances research with crafting fiction, what she’s working on next, and advice she has for anyone writing a historical novel.

Oh, and which Bronte she would invite to a dinner party. Would you be able to choose just one?

***

What do you love about the Victorian era? What draws you to it?

The Victorian era has always appealed to me on multiple levels. First, there’s the obvious: the gorgeous fashions—from wire crinolines to enormous bustles. Then there’s the emphasis on manners and decorum; the strict societal rules for ladies and gentlemen and the limitations imposed on courting couples. The Victorian era was also a time of enormous advancements in industry, medicine, and the rights of women. Aniline dyes were discovered, the sewing machine was invented, train travel became ubiquitous, and women shed their cumbersome skirts and hopped on safety bicycles, an invention which gave them enormous independence. What’s not to love?

What made you want to write fiction about a subject whose real-life stories you’re so knowledgeable about?

The Victorian era has a wealth of fabulous history to tap into. And I already write so much about it in the non-fiction realm, it seemed only natural to set my novels there as well. I think my readers would have been disappointed if I hadn’t. Not to mention, when I read historical romances, I really notice when an author gets their history wrong. I was determined that I would use my knowledge of Victorian social history to help me get my own novel right.

How do you balance being true to the gender roles of the Victorian era with creating an interesting woman and romance your reader wants to root for? (Hello, Sylvia!)

It’s a challenge, especially as I hate when characters in a historical [novel] come across as nothing more than modern men and women in costume. This is why I really liked writing Sylvia. Since she had essentially been ejected from fashionable society, she wasn’t strictly bound by Victorian social conventions. It was up to her to make her own way in the world. It was a grim situation, but one that allowed her to gain a measure of feminine independence. At the same time, she was still quite constrained in regard to how she could interact with the opposite sex—especially Sebastian. Also, it helps that a lot of the emotion that she and Sebastian felt—the romantic angst, fear of rejection, and feelings of betrayal—is emotion that many of us have felt at some point in our modern romantic lives. This made the characters relatable in spite of the restrictions imposed by the era.

How did your background studying Victorian era history and culture help and/or hinder the fiction writing process?

It helped tremendously in that I was able to draw on my knowledge of Victorian fashion, etiquette, and social norms without having to do too much additional research. It hindered me on occasion because I’m such a stickler for historical accuracy and, in writing a scene, I would often think, “They would never have said/done this!” It was sometimes hard for me to put that aside in order to allow my characters to have time on their own to talk—or to kiss!

Do you have any advice for writers about doing research for a fiction novel?

If they’re striving for true historical accuracy, I would strongly advise them not to limit their research to uncited blog posts or Wikipedia articles. They should read historic newspapers, magazines, and books. They should get a feel for the language and the behaviour of the era in which they’ve set their story. And if they’re writing about something they know nothing about—like horseback riding—they really need to have their research down. Nothing is more irritating to a reader than being absorbed in a story only to have some anachronism wrench them out of it.

Check out the Mimi Matthews author Facebook page. She regularly posts paintings from the era and provides some context for the work. She had me at cats sneaky-snackin’ on some tea and crumpets. TBH, I don’t know if that’s a crumpet.

What do you listen to or watch or read to get pumped up to write?

I get most pumped up to write when I’ve been researching something. I often find some odd Victorian fact which inspires me to envision a scene or a scrap of dialogue. Victorian fiction—especially classic novels like those by the Brontë sisters, Margaret Gaskell, or George Eliot—also inspires me and helps to get me in a certain frame of mind. As for music, though I love it, I can’t really listen to it when I’m writing. It’s too distracting. I have to have everything super quiet.

Do you have a daily writing routine or schedule when you’re working on a novel? If so, what is it and how does this help you get the work done?

I had to finish my latest non-fiction book, “A Victorian Lady’s Guide to Fashion and Beauty,” on a hard deadline. I was at my computer writing every day by one o’clock. I would then write straight through until dinner. For fiction I’m not so strict with myself. I write whenever the muse takes me. There are some days I can write thousands of words. Other days I only write a few hundred—or none. I aspire to be more disciplined (and more prolific), but life often gets in the way.

Do you want to write another romance set in this time period? If so, what will you do differently or how do you want to grow or explore as a writer in a second book?

I’ve got a few other novels set in the Victorian era that will be out over the next year or two. “The Viscount and the Vicar’s Daughter” is coming in January. I actually wrote it before I wrote “The Lost Letter.” Because of that, I’m not sure how much it will read as if I’ve grown as an author. It’s far less angst-ridden than “The Lost Letter” was. In fact, it reads more like a romp, with an impulsive, rakish hero and a prim heroine who can’t resist him. Following that, I have a much darker Victorian novel coming out (as yet untitled). It’s about an injured soldier in coastal Devon who places a matrimonial advertisement in a London newspaper. The woman who arrives on his doorstep is not quite what he was expecting. This novel allowed me to explore more sinister themes, including those relating to the legal power that Victorian men had over their wives and female relations.

What has been inspiring you lately?

I’ve recently been researching 19th century breach of promises cases. In many, the gentleman had written compromising letters to his betrothed before breaking their engagement. The jilted girl’s father then used the letters as evidence when bringing suit. I’m planning on using one of these old cases as a basis for a novella about a broken engagement which results in a breach of promise suit. I’ve already written the first five pages. We’ll see where they lead!

If you could invite three people, living or dead, to a dinner party, who would they be and why?

I’d like to say Queen Victoria would be on the list, but I actually think she’d put a damper on dinner conversation. The guests would be too intimidated to speak. Instead, I’d invite all three Brontë sisters, Charlotte, Emily, and Anne. They were three of the most talented authors of the Victorian era. I would love to hear their thoughts on life, love, and the business of writing.

 

Cryptic away messages to use during AIM’s funeral

So sad face! AIM, the old friend we didn’t even know still lived in town, will sign off for good on Dec. 15. In preparation, here are a few thought starters for your away message during AIM’s funeral. I know, we have a few months until then, but you remember how much thought goes into crafting the perfect away status in hopes that your crush sees it and worries about you. You’ll need time. XOXO TTYL, BFF.

***

RIP AIM {class of 2002} {’97-’17}

My girls 4 lyfe: KC RA JH KK KS MG TH CW ES CB AIM

These woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. – Robert Frost

brb “We’ll all float on okay”

Every step I take, every move I make
Every single day, every time I pray
I’ll be missing you
Thinkin’ of the day, when you went away
What a life to take, what a bond to break
I’ll be missing you // Puff // AIM 🙁

omg life is so random… Love you forever, AIM

cells on if u need a ride

i just cant believe hes gone he was so nice and funny ninth grade was the bomb bc of him

I wish I had talked on him more…

:'(

 

 

 

Half-price life lessons at Applebee’s

As Marion, Ohio’s first ever Applebee’s Carside To-Go girl, I took my duties seriously.

Seventeen going on 18, I was the perfect fit for the job, as I was not yet old enough to serve alcohol like a full-fledged in-restaurant waitress. This, despite the fact that in my previous position as a night server at a nursing home, I carried flights of boxed red to ornery old folks looking to score.

Among my major responsibilities at my hometown neighborhood bar and grill:

  1. Stand by and answer phone. “Thank you for calling Applebee’s, ‘Home of the Half Price Happy Hour.’ How may I help you today?” Perfect. Since age five, I’d been answering my home phone in a similar manner. “Hello. Mantey residence, Jackie speaking. How may I direct your call? Oh, she’s taking another acid shower. Would you like me to record a message?”
  2. Take orders over phone. Place orders in POS system. Stop sweating. Do not be intimidated by surly cooks who accidentally put Carside orders on for-here plates instead of green plastic to-go containers and who silently blame you for their lot of life on the line as they dump the Oriental Chicken Salad into the correct container. Ponder what about the Oriental Chicken Salad actually makes it Oriental besides the crispy noodle topping. Deliver food to cars. Try not to be obvious with flare pin on chest that reads, “Though I be but a lowly Carside To-Go girl, you may tip me! I’m paying for college soon and make $5-something an hour.”
  3. Help out when slow. Run food. Play host. Do not, I repeat not, give a surly waitress’ next four-top to someone less deserving. Be “expo,” short for “expediter,” short for “put the lemon garnish on the grilled chicken and don’t screw up the ticket or you will be forever 86ed in the mind of all.”

The staff was nice, but kitchens get heated when everyone and their cousin-brother is packed in slimy neoprene booths awaiting boneless chicken wings and onion peels. Half off. Hot damn.

These rush hours, I was not cut out for. But by God, I put this job on my college applications and would excel at this just like I did everything else. Beam me up, Stanford. (And by Stanford I mean the perfectly affordable state school up north that supposedly admitted the half-illiterate.)

Years later my future husband would dub me a Trophy Hunter: a person trained for validation by way of a gold star, A+, Dean’s list, line-itemed resume. In restaurant worlds, there are no trophies, unless you count the rouge dessert sent back to the kitchen because the order was wrong. Upon which you descend like a pack of starving kookaburras.

I was too soft to deal. Luckily, I knew I wouldn’t have to for long. My stint at Applebee’s would be a chemical-egg-scented pit stop on the way to “bigger and better things.”

Not like the lifers. These co-workers were my motivation to stay in school when I’d come back to work on college breaks. There are two types.

First, the ones who have worked at every restaurant in a three-county radius. Sometimes coked up. Sometimes just draw-ers of the short sticks. Sometimes hard up for work because life is unfair and I was a young judgey jerk yet to be served my own sour shot of life.

Example of type one: Sam, who we nicknamed Sam-ela Anderson for her predilection to position her generous rack on the high-top tables when a group of guys would come in for beers. (Hey, sister could get tips, so who are you, dear reader, to side-eye? Just eat your Spin Dip.) She pulled night shifts at Cracker Barrel post Applebee’s lunch shift. Ponderosa on the weekends. Soon she’d be fired or fed up with one or the other and move on to the next waitress want ad.

Post-college, I’d see her at a burger joint while on a lunch break out with my new magazine editor. It was genuinely good to see her. She asked me how many kids I had now, despite being only 21 (answer still, ten years later: Zero). Props to her for working her similarly generous butt off for her four. Five kids? I think it was six.

Also in this category of Applebee’s colleagues were those working in wait. These individuals were here for some rest; slangin’ apps was an Appletini-stirrer-shaped pin in their regularly scheduled work lives.

Best example: Doug (name changed for soon-to-be obvious reasons), one of only a few male waiters on the team. He was friendly, smart, fast. And, most importantly, as chill as the bagged salad in the back.

Doug was in his 40s and his story was this: He used to be a lawyer but the job had him burnt-out to a crisp. One day, he simply walked out of his attorney suit and into a neon Applebee’s tee and waist apron.

He did good work but if he couldn’t–if a good night of tables was beyond his control–he didn’t care. Ok, man? In the grand scheme of things, it didn’t matter if Table 5 didn’t get that extra side of jalapenos, per the original verbal writ of condiments.

One teenage girl’s stressful work environment was another man’s paperwork free oasis.

Also, he had the best pot.

It was another hobby he’d taken up following his dramatic exit from the Bar. Once I bought two joints from him and smoked them both in the Wal-Mart parking lot behind the Bee’s following my night shift. I, duh, got way too high and spent another four hours in my car, waiting it out. I watched families enter the shining supercenter, like flies to a busted porchlight, with a slit-eyed, stoned stare. Do they know I’m an alien?

I think of Doug sometimes when I’m locked into a marketing writing project and trying to find five new ways to say “well-curated,” even though the client will just change it to “well-curated” because that phrase means nothing and everything anymore. I’m not quit-it-all-and-serve-fried-foods-and-weed yet, but I totally get it.

The second type of Applebee’s lifer would remind me why I couldn’t do this work forever: I was absolutely terrible at it and they were not.

Rhonda, for example, was a rockstar. I saw people come in for dinner, ask to be seated in her section, find out she wasn’t working that evening, leave. Amy was like this, too–everything else in life seemed to beat her, but there’s no one I’d trust more with a 20-person party, double drink orders each, screaming kids, bun on-the-side requests, and separate checks.

Both could handle the heat in their sleep. And they made good money doing it. Meanwhile, I had nightmares, still do, that I’ve been sat a table I didn’t even know was in my section and now the manager is being beckoned from afar and also we’re out of ranch dressing and how can we go on without ranch dressing?!

When I’d come home to waitress throughout my college breaks (I had matriculated from Carside To-Go), I’d notice how the people I worked with had changed in the months between my presence. Some seemed more haggard, angry, tired, high.

Not the type two servers. Waitressing is the hardest job I’ll ever have and these people just got better and better. They saved my mozzarella-stick-dimpled ass from angry customers many times. And they taught me to not be so harsh in my judgement of other people’s jobs.

Maybe they were the real winners. They didn’t have to pay off $40,000 in student loan debt to find what they were really, really good at. They didn’t need a stupid trophy or professorly pat on the head.

They’d never be the first at anything — but what’s that matter anyway? This was their calling.

And isn’t finding that what “bigger and better things” are about, at their molten chocolate lava cake core?

Six things I’m loving this month

Apples. Pumpkins and their spice get all the attention these days, but apples are like the under-appreciated older sibling. I’ve been throwing them onto my sandwiches and into yogurt with honey drizzled on top. Goin fast and lose with the Golden Delicious, y’all! Loved this cover photo’s rendition of brie, Granny Smith apple slices and a cranberry chutney from Blind Faith Cafe in Chicago.

“300 Arguments” and “There Are More Beautiful Things Than Beyonce.” These books of sentence-long essays and poetry, respectively, were on the list of recommendations at the Chicago Lit Crawl’s “Best Books of 2017” panel I attended last month in Andersonville. Read ’em.

From “300 Arguments.”

From “There Are More Beautiful Things Than Beyonce.”

Speaking of our girl. I was surprised to find myself crying during this SNL performance by Jay-Z  of his apology song to Beyonce, “4:44.” It feels shameful and raw. Devastating in its aloneness. Wow.

Look, I apologize, often womanize
Took for my child to be born, see through a woman’s eyes

Still Processing podcast. New York Times reporters Wesley Morris and Jenna Wortham host these funny and insightful culture conversations.

The short story “Likes” by Sarah Shun-lien Bynum. I don’t even have children but find this story of a father trying to understand his 12-year-old daughter’s Instagram totally relatable. This is also one of the first fiction accounts about life after last year’s election that I’ve heard that really nails its emotional aftermath.

“Recovery: Freedom From Our Addictions” by Russell Brand. Brand is back. Thank heavens. After seeing this interview with Bill Maher, I can’t wait to read his new book about addiction recovery. I think a lot of people fear that breaking their addictions will mean they no longer are themselves. This brilliant sober wacko proves that’s not the case at all.

Fun finds from the NYPL digital collection’s music section

I spend a lot of time digging through the New York Public Library’s digital collection public domain to find photos to embroider for Mildly Depressed. Whenever I’m on there I feel like Alice as she falls through the rabbit hole. So much to look at. Curiouser and curiouser. I found a collection of old musical posters and book covers and had to share. Click on an image and it will take you to the library page for more info, should you still have questions about wtf is going on. You will.

Well, OK, but like, it was just a jammed finger. So, you’ll probably be fine.

“Where can I buy a shirt with full sleeves?!”

Awkward.

A love story goes sour.

He may not need to worry, but I would if he was throwing that leer in my direction.

 

My favorite. Yes, no bananas. What’s a boy supposed to do?

Words on the Street: October 5, 2017

As seen outside the funeral home by my house.

By an Andersonville candy shop.

Hole-in-the-wall quality hat stores are American treasures.

I’m still way into these old Chicago street signs and the names of these businesses… “Fade by Tom.”

As seen at an Indiana rest stop at midnight. I thought maybe I was just tired, but I still don’t understand what this means.

Unicorns, though. Unicorns I understand. From Unicorn Cafe.

At a WVU football game. There is no lemonade here. Only Zuul.

Left handed wave.

Brave.

Stealing this bar name for a short story.

History at a purple line stop. Good to know if you were writing about the CTA before 1997!

My new favorite store in Evanston, for all its bad words below.

My list of books to read this month

“Emma in the Night”

By Wendy Walker

This mystery novel was my September Book of the Month Club selection.

“Love and Trouble”

By Claire Dederer

This book of personal essays explores Dederer’s midlife sexual reawakening that traces its roots back to her teenage promiscuity. It’s been noted for its honest portrayal of sexuality and its innovative takes on the creative nonfiction form.

“The Trespasser”

By Tana French

Spoiler alert: I just finished this book. It’s a little tedious but worth a read since Tana French is one of the best crime writers working these days. Plus, it’s got an unsuspecting twist at the end. Her debut “Into the Woods” is still my favorite though.

“Erotic Stories for Punjabi Widows”

By Balli Kaur Jaswal

Yes, there are some erotic stories in here, but it’s not what you think! This is a funny, heartwarming tale of British Punjabi women’s reconciliation with their patriarchal community and modern country.

“The Nix”

By Nathan Hill

This book topped a lot of “Best of” lists last year, and I’ve heard both positive and negative reviews.

“What Happened”

By HRC

More like “what the $&#@ happened.” I’m looking forward to reading what Hillary’s official take on all this is, beyond the easy headlines.

May the library be your regular haunt this October! Mu-hu-ha-ha.

For Jessi Zazu and the songs that help save us

I dated a Virginian once. A preacher’s son — the second I’d pursued; a high percentage for only being 20. Something about their balance — of fire and brimstone, innocence and hunger, optimism to believe in eternal life and pessimism to believe in a father sending his children to hell — that attracts me to them.

Like a tick on a fat dog.

He taught me sayings like that. Sometimes. Insecure about his southern upbringing in a liberal Yankee college town, his accent would mysteriously disappear as soon as we hit the Ohio border. Some Yankees made him feel bad about where he came from. Those Yankees were dicks.

I thought about him as I traveled through Pennsylvania into West Virginia this weekend. There’s enough distance between me and the me who dated him, so my thoughts were happy ones. Appreciative ones. How beautiful it would have been to grow up in the mountains, surrounded by a painting, tucked into trees.

He told me once that his first month in flat Ohio took some mental adjusting. It was jarring, startling even, to be so exposed by the topography. In a field of nothingness, horizons on all sides, how do you protect yourself? The mountains were safekeeping. The mountains were walls, the good kind. The mountains made him less afraid.

I agree. I feel better in places that live vertically. Chicago high rises scraping the sky, like a penny on a lotto ticket. Morgantown’s mountains beaming from on high.

Plus, there’s just more to look at. At our rental this weekend, I stood on the balcony one evening when the air smelled cold but felt soft. I looked out toward the skyline high above to see a hymnal of homes dotting the mountaintop. Who lives up there? What do you think they are doing? Dreaming? Lights twinkle spotty on the mountain side, mimicking the blanket of stars they’re so close to being part of.

When you know — when you can trust — that something’s ahead of you, it’s harder to be afraid.

Jimmy Cliff and Johnny Cash. “The boot the roots the radical” and “this time is not exclusive we want to stop a war.”

I’m not afraid of these songs anymore and the memories of him they send me colliding into. Instead I feel a calm. Now they’re just good songs. Songs I love.

A pleasant reminder that after the pain is gone, there’s always the music. The music that saves us.

***

I first heard “Ain’t Afraid” in February 2014, the best way how: live, standing on a floor like quick sand, sticky with beer and tears and who knows what else.

Those Darlins were playing at Rumba Café, a dark music bar that quietly hosted some of Columbus’ best shows. It was a tight squeeze in there, but always worth the liquor that got spilled on you by a neighbor shoulder-side because you could get so close to the performers. So close that you could see their goosebumps. And at Rumba, you’d always find performers who gave themselves goosebumps. Because they so believed in what they were up there doing.

“Ain’t Afraid” was a song I needed to hear that night. Their lead singer Jessi was a girl I needed to see.

I was heartsick. Justin had recently dumped me and moved two states away. I hadn’t grieved anything from the boy above or the one after that or Justin and was nursing a need to always be nursing a bottle. That winter was one where I was mentally preparing myself for a spring where I knew some things would need to change inside me. I just wasn’t ready yet. I was afraid.

But Jessi wasn’t.

Jessi Zazu at Rumba Cafe, February 2014.

At least not on stage. I was immediately drawn to her slink. Cool rock star prowl with pussy power. Then she sang and I was officially hers. She growled with a achy rawness that had dirt on its hem. The kind that can only come from living something real.

Turns out it was so real. Too real. She died from cervical cancer last week. She was only 28 years old.

After seeing her that night, “Ain’t Afraid” became my secret anthem for a little while. I loved that she croaked out the “I” and not one of the other words. It made me feel her fear of and power in herself, both coming from the same source of power, both with a chance to win until she chose strength. Behind that long, multi-noted “iiiiii” were many long, lonely nights figuring out who that “I” was — because survival wasn’t possible without it.

I needed to face those nights. And I did. I grew out of the song by spring—probably to a more confident anthem, something that dug in its tires less and mostly just cheered me on. My cuts were scarring over and I couldn’t connect with the pain in that chorus anymore, didn’t need it’s brute resolve.

But that line. That line! “I ain’t afraid anymore” still pops into my head sometimes. “Keep going,” it says. “This is your fucking life,” it says. “You choose.”

That’s a piece of Jessi’s voice in me, joined by a choir of the singers and songwriters who have all budged me a step forward. I could only dream of making something so meaningful in 28 years.

I wish I could tell her thank you for the song, for that voice, for being fearlessly, unfuckably herself.

Six things I’m loving this month

That Danielle Steel’s writing desk is made to look like a stack of books. But not any books. Her books. Excellent reporting from the front lines of narcissism-so-gaudy-it’s-charming by Vanity Fair, per usual.

Hello, beautiful. Yes, you.

This ridiculously soft, skin-perfecting Pur makeup brush that makes my BB cream look not so DOA. I put makeup on my face every day so I’m immune to seeing it change. This seems counterintuitive, but each wrinkle deepens so subtly, each crow’s multi-clawed foot grip tightens on the rim of my eye socket so inconspicuously, like the boiling water in the pot with the frog (if you don’t know that analogy by now, you deserve to go look it up). Pretty soon I won’t be able to wear foundation, cream or powder at all lest I look like a founding father. Until then, this brush.

 

Miranda July’s new short story, “The Metal Bowl.” And Miranda July talking about marriage and how hard it is to write a short story here. Miranda July is so dreamy.

Photograph by Elizabeth Weinberg / NYT / Redux

Atlantic magazine, recognizing the increasingly chaotic nature and overbooked status of even the most loyal and disciplined reader’s everyday life (and the laziness/ distractedness of the rest of us), has started posting audio recordings of prominent stories from its print issues. Listen the “Donald Trump is the First White President” by Ta-nehisi Coates as you wash the dishes, or “When Your Child is a Psychopath” by Barbara Bradley Hagerty as you commute to AA <knowing head nod>. The recordings are often posted in the stories, but you can check out the Atlantic’s Soundcloud station here to binge on all the recordings made to date.

Ariel Pink’s new album, “Dedicated to Bobby Jameson.”And its sugar-in-your-veins “Feels like Heaven.”


This old commercial starring old Michael Jordan. Justin makes me watch it when I’m feeling anxious about making new work. Justin listens to NPR’s “Fresh Air” and Rocky’s greatest inspirational speeches while he works out. Justin is my favorite person.