#SundaySentence: A star closer


And, of course, this policy of denial is just another form of lying — a fanciful story we tell ourselves about our future even as we fight to free ourselves from the personal lies of our past.

Nancy A. Nichols, Memoirs of a Used Car Salesman’s Daughter

For David Abrams’ Sunday Sentence project, readers share the best sentence they’ve read during the past week, “out of context and without commentary.”

This closing line from Nancy A. Nichols’ issue of True Story gave me a lot to chew on as I rode the train home (these mini magazines with one longform true story per issue are so perfect for commutes).

On writing: Stephen King to the rescue


If you haven’t read On Writing by Stephen King yet, get a copy now. Stock up on cute highlighters while you’re at it. (He’s also hella feisty on Twitter.)

If there is any one thing I love about writing more than the rest, it’s that sudden flash of insight when you see how everything connects.

Stephen King, On Writing

I love this golden nugget quote in the chapter about theme. It’s so true, right? Even those of us who can only hope to be Stephen-King-quality after a couple lifetimes know this feeling. Hitting that sweet spot where things you didn’t even know were in you fall together into a cohesive story or paragraph or sentence? It feels otherworldly.

Keep writing! Chase those ghosts! <3

Published: Photos in Barren Magazine

Hooray! I’m so honored that some of my photography was chosen to be in Issue No. 6 of Barren Magazine, “Distance Lines.”

“Barren Magazine is a literary publication that features fiction, poetry, creative nonfiction, and photography for hard truths, long stares, and gritty lenses. We revel in the shadow-spaces that make up the human condition, and aim to find antitheses to that which defines us: light in darkness; beauty in ugliness; peace in disarray. We invite you to explore it with us.”

Pretty sweet.
I really love the piece (“My Mother Speaks to Me From The Grave, Again” by Jill Khoury) paired with my image of snow Buddha.

I make the Barren Magazine reading rounds on my CTA commutes. Wanna read it? Check out Issue No. 6 and others here.

Roundup: Five Saul Leiter photos to make you feel snow romantic


Saul Leiter was a pioneer of American color photography. His painterly images of 1950s and 1960s city life are so wistful. His work makes me see bad weather, stinky streets, and the humans who inhabit it all — differently. Better. More lovingly.

“A window covered with raindrops interests me more than a photograph of a famous person.” 

Saul Leiter

^ Same.

Here are five of his most lovely snow-filled images that might make this seemingly never-ending winter snow a lot more bearable. At least more beautiful.

Read more about the artist’s life here. Also this: “Saul Leiter, the quiet genius who made the mundane beautiful.”

On gratitude: After the storm

The powerline danced in the corner of my eye. Usually I wouldn’t notice this movement, it being one of millions happening outside my double kitchen windows every day. Above the dusty windowsill, beneath our hastily hung curtains, another world thrived every day just five feet away and I always miss it. The world outside, a mere backdrop for breakfast, for the daydreams in my head.

But on this morning, movement from something other than me seemed like a luxury. I hadn’t seen anything outside except the constant fall of soft snow for days. The polar vortex had been keeping everyone inside. The city had basically shut down. And behind our own windows, we waited. Huddled masses yearning to be free—free from the drip… drip… drip… of water from our pipes. Grateful those drips were our only problem on nights of record-breaking cold.

Now, it was 20 degrees warmer than it was less than 20 hours ago. Everyone and everything, it seemed, was celebrating. Stretching legs out from fetal positions. Popping toes warming up again on cold hardwood floor. Subtracting layers down from a hefty four to a daring two. Myself up hours earlier than usual, witness to this bouncing powerline.

I moved to the window to see what was making it shake. One by one, I watched three culprits leap from the tightrope—performers fearlessly ignoring the three-story-drop of certain death—to the oak tree that towers over the house behind our apartment building.

Squirrels. Looking hungry and ready to camouflage in a pile of wet leaves, were in a full steam chase up and down the branches. Undisturbed by the melting ice, ignoring it well, like I was doing now to my preventatively leaking faucet.

One squirrel scurried and another followed. A third, the smallest, managed with effort to keep up. It was like they were playing a game of tag. Just for fun. Squirrel tag. Animalistic antidote to cabin fever. Winner getting the belle of the walnut ball.

Leave it to me, sentimental and cooped up human that I was right then, to anthropomorphize my new bushy-tailed bffs. They, I decided with such certainty, were having fun! Expending pent up energy spent crammed inside a tree hole for the past two days, Squirrel #1’s beefy ham hock thigh shoved up against the shivering chubby cheeks of Squirrel #2. Squirrel #3 somewhere in between, mangy ears tucked in the furry arm pit of a brother.

That’s what I imagined them to be. Siblings. I guess they just had that kind of energy. Brothers and/or sisters in arms who had just survived one of the coldest nights on record. As they raced around the tentacles of our oak tree, all nature and instinctual balance, one thought raced through my mind: How the hell did you guys make it?

The tree, that masochist rejoicing in the claws puncturing its alligator bark, lifted face to sun and said, “This is the moment we’ve been waiting for.” The three squirrels paused. I feared for a second maybe they had seen me move behind the window, saw my pale ungloved hand reach to the glass as if to touch them. I just wanted to say hi. To join them, to join the tree, to shed off something of survival and say, “Yes, yes, I am here too.” But instead, determined as I watched their heaving chests and give-a-fuck-all of me, they were just taking a breather. I could almost feel their tiny heartbeats racing, beating out of their hard chests, through my fingertips on the glass.

This lasted only a few seconds. Then they were off again. Reversing course, they ran counter clockwise around the living wooden maze this time, hopping from one raised branch to the other, the littlest one leading now.

To have happy siblings is the greatest gift, right? To know those people you’ll always know as children, even as they pay their taxes and talk of 401Ks, are happy and loved, with places to hibernate, armpits to cuddle into, thighs to lean on, and tiny heartbeats to feel through their own fingertips—fingertips completely unique from mine, but forged in the same walnut tree womb. What a gift to have them and an even greater one to have the peace of mind that they are somewhere, surviving, stretching out and playing with their chosen families.

I pressed my naked hand harder on the glass. The cold was beginning to sting but I wanted my energetic neighbors to sense me before they left for the next powerline over: “Yes, yes, I am here too.”

Art you should know: Dawoud Bey’s Underground Railroad photographs


Dawoud Bey is a MacAurthur Genius Award-winning portrait artist whose most moving photographs are black and white images in urban settings; however, his exhibition currently on view at the Art Institute of Chicago happens across a different landscape.

Titled, in a nod to Langston Hughes, “Night Coming Tenderly, Black” is a compilation of 25 photographs taken of places in Hudson and Cleveland, Ohio, that marked the end of the Underground Railroad.

The large-scale images are darkened to mimic the blackness of night, a time of day when it was “safest” to run. The darkness makes it hard to see what you’re looking at, inducing a sinister terror that must, when you think about it, only be .01% (if that) of the sinister terror runaway slaves felt when approaching these final stops toward freedom—a term that feels especially meaningless when faced with the final resting stop, Lake Erie and sky. Canada’s freedom on the horizon, but at what cost? How did these people ever feel free or safe or whole? It seems as impossible as swimming in the dangerous choppy waves of the photograph.

Their reflective nature is particularly Bey-brilliant. With this effect, the viewer sees themselves in the image, in this situation, both long ago and in the modern world. At first, I thought about how alone these images made me feel, no human to be found, just the potential for danger that had to freeze you in your tracks. Seeing a shadow of myself in each image, I also thought about the ways white supremacy has shaped my own understanding of the world. How its effects linger today. I thought of Flint. Of Chicago police brutality. Of my own willful blindness that contributes to modern racism.

I was moved by the titles of his images, too. A forest. A marsh. These seem idyllic to me—because they can. But in light of the darkness of these settings and the truth behind them, I understand how these words and places represented a challenge, a cover, an enemy to the people who had to escape through them without the cover of peace… or even hope… or even, sometimes, other people.

Outside the gallery is a wall of framed photographs Bey curated from the AIC’s private collection. In addition to harrowing images of the murder that racism has justified on American soil are images of people who fought back and found strength in the darkness. Their courage is breathtaking.

The landscape portraiture Bey picked to include in the roundup is also meaningful. A particular Ansel Adams image of a tree, which, in a different context, I would have mused on romantically or in a rosy awe of nature, gave me chills instead. The photograph’s juxtaposition to a lynched murder victim evoked the trauma of a tree, how everything has been affected exploited in the name of “natural order.” It’s a devastating exhibit. It’s an important one. It’s on view through April 14.

Roundup: Five spots to shop for cool kettles


Yes, kettles, as in tea kettles.

Whaaaat, you ask? Who am I, you ask?

As a longstanding diehard coffee consumer, I’ve been asking myself the same questions.

A few weeks ago—three tomorrow, to be exact—I wasn’t feeling very well. I had a coffee on my nightstand as I laid in bed, trying to nap off whatever bug was bringing me down. The smell of the coffee, though, kept waking me up and making me feel queasy.

I haven’t had a lick of it since.

Considering I quit drinking alcohol almost three years ago, I am still surprised at my ability to be surprised when I fully quit something that has been part of my everyday life for over a decade. But I was drinking five to six cups of the strongest coffee I could find a day, and now I’m… a tea drinker? It’s weird. Surprising. And weird.

There are several upsides, obviously, to cutting the extreme caffeine. I’m saving money not purchasing $4-a-pop pick-me-ups. My energy is way better, ironically enough. More consistent. Fewer crashes. Less dramatic energy surges and lethargic dips. I l-o-v-e that I don’t feel restless/ manic if I haven’t had my morning coffee. AND, best of all, the ritual of making tea is way more fun.

I’m not fancy. By ritual, I mean literally just boiling water. But it’s like when you’re 16 and learn to drive and get a $300 janky, old, dump-destined beater that is a straight-up diamond in your eyes because it represents freedom, delicious freedom.

That beater = boiled water for me right now. <insert heart eyes, hashtag EZ2PLZ>

Once I passed the two-week coffee-free threshold, Justin and I decided to get a new kettle for the house so I could boil water like a lady. (Technically we had one already but it was, well, a dump-destined beater that was ~16 years old itself.)

Here are some places I found awesome options, including a few unexpected locales. So many tea pots, so little time (and also counter space).



A sea foam green cast iron kettle ($24.99) with a stainless steel infuser on the inside, embossed Japanese-style grapevines on the outside.

World Market

Travel the world from the comfort of your own stovetop. World Market’s options range from beautiful embossed cast iron kettles to marbled enamel numbers that would play perfectly in a white-cabinet kitchen.

Bonus: WM’s lucky cat tea infuser mug, which will ensure every morning starts off on the right paw.

French vintage enamel tea kettle ($45) on Etsy.

Etsy

The Etsy marketplace is often a go-to when I’m shopping for jewelry or décor, but I didn’t think of it right away for tea kettle shopping. Don’t make the same mistake. There are some really lovely options available, including punny pots like Mr. Tea, who pity the caffeine-fiending fool, and many vintage goodies, like this amazing Corningware cooker.


Luanne tea kettle ($38) from Anthropologie.

Anthropologie

Whimsical print pots, $500+ coppermill kettles, and swoon-worthy sets complete with sugar bowls and serving trays. That’s so Anthro.


Rave Tea Kettle from MoMA
Raven tea kettle ($80) from MoMA.

Art museums

Yet another destination you might not consider right away, art museum shops often have a curated section of hip home goods. For example, The Art Institute of Chicago’s Museum Shop has a sparse but mighty selection, and MoMA has some seriously great stuff that will ensure your tea routine is a work of art. (PS. I bet your local bookstore also carries some tea related must-haves.)

Ah! Tumultuous love affairs aside, these Frida and Diego mugs = amazing wedding gift alert!

Rainbow mirror whistling kettle ($27) from Amazon.

Amazon

Ah, good old Amazon. Fun options abound, though we ended up getting none of the above and, instead, going for function over style, purchasing an energy efficient electric kettle that can boil water in mere seconds.

Le sigh. It’s cool in a practical way, but I’ll be in the market for adorable mugs soon. This, friends, is what kitchen-based compromise and communication looks like.

And this:

My list of books to read this month


Maid by Stephanie Land

Debut author Stephanie Land takes a painfully honest look back at her years spent cleaning a lot of other people’s houses for only a little pay, while also raising two children alone. “Maid” has been billed as “‘Evicted‘ meets ‘Nickel and Dimed,'” which are two of my favorite nonfiction books about the cyclical challenges of rising out of poverty in America—no matter how hard you’re working at those bootstraps.

I think of reading books like this (and “Evicted,” etc.) as a civic responsibility. They help me understand how poverty in our country works (both in the past and today… because its causes and effects are constantly morphing), why it is so hard to climb out of, and how we all contribute to poverty’s brutal repercussions even if by simply misunderstanding what poverty can do to a person. Or in this case, one tough mother.


Orwell On Truth by George Orwell

Also an intangible civic duty: educating ourselves on the history of truth and democracy. I found this little pocket book at the Chicago Public Library branch that opened LITERALLY WITHIN A BLOCK FROM MY APARTMENT (!!!!). It features excerpts of Orwell’s most potent arguments about what truth actually is and how hypocrisy can manifest itself in even the most well-intentioned. His brilliant, astute critical observations about how language shapes our cultures and world views made him an enemy of both the left and the right. Which kind of makes him my hero.

“If liberty means anything at all it means the right to tell people what they do not want to hear.” George Orwell
Orwell. Perhaps nailing down his nom de plume?

There’s so much I didn’t know about Orwell or appreciate about his work until reading this brief book. I was surprised at how modern his essay writing reads; though, I shouldn’t have been, considering that “1984” is perhaps the most prescient novel of all time. Nostradamus of the nine-to-fiver.


The Nightingale by Kristin Hannah

And, because it’s Valentine’s Day month, I’ll be reading this historical fiction novel from 2015 that I still see people raving about on social media. It gets so much love! I’ve been meaning to read Kristin Hannah’s book that came out last year, “The Great Alone,” but figured I should finish this tale first. A story of two sisters struggling to survive in WWII France, Hannah weaves together a big-hearted story about the power of love in a time of hateful power. I can’t wait to soar away with this one.

Words on the street: Feb. 5, 2019


All my word finds this month look a little tipsy-turvy! Hmm… I blame weeks of near apocalyptic levels of hibernation. Still getting back my sea legs (and steady camera hands, I guess?).

This should, instead, say, “Just wipe your tail and wash your hooves.” 😉
The wall to the left read, “No Parking.”
Some excellent copywriting/ color naming finds on a recent snowy sojourn to Home Depot, a trip in which I did very little except enjoy these carpet color titles. Shoutout to my homeboy/house husband Justin for being a more rational, practical human being and getting what we actually needed on the visit. You are forever my “Sophisticated Dove.”
“Black Ice and Oatmeal” is pretty badass. The silly decision to add “Stupendous” to this already sorta outrageous color name is everything a bored girl could ask for in the aisles of the hardware store. Thanks for that, Home Depot. And also for the sale on lightbulbs.