Illustration A Day Project entry, geometric illustrative graphic design

“You are the archivist of your own life”


I read something on Instagram recently that inspired me into a unique set of actions. (How often do you get to genuinely say that? Though, I guess Instagram is the platform on which you’re most likely to read something sincerely inspiring, but I digress.)

The sentence was a mere one of many in a long caption accompanying a photo posted by a friend of mine. It was essentially in defense of a series of selfies she had been sharing on her feed, and it said this: “You are the archivist of your own life.”

She didn’t come up with this phrasing herself, she admitted. She had heard it from someone else and had been inspired by it, who heard it from someone else who had been inspired by it, and now I—inspired by it—share it with you, like a high-tech, transcendent version of the kids’ telephone game.

You are the archivist of your own life.

Wow, truly…

Perhaps it’s the word archivist that this trail of friends and I found most endearing. That word brings a sense of gravitas, a sense of humanistic purpose, to the act of saving, storing, and recording who you have been throughout the years and who you are now. A hoarder? Nay. An archivist.

I’ve never been reliable at keeping things. I’ve thrown many keepsake-ish items out in fits of productivity (holiday cards, my baby teeth, Little Dude’s collar he refused to wear) only to be sad about it later and console myself with excuses along the lines of Who needs that stuff anyway? To dust we shall return, et al. (Though, tbh, sometimes these purges have been a long time coming, I just need to work on being more thoughtful/ less reactive in emotionally cued-up moments of #getshitdone. Per usual.)

I consider this further proof of why the term archivist must hold special power. If you told me to simply take and save pictures of myself, I’d scoff and keep scrolling. But after I read my friend’s Instagram caption, something surprising happened.

I made a to-do list of how to organize my writing, artwork, and notebooks. Emotional mementos and professional trophies may slip right through my roller coasting, mood swinging fingers, but I can maintain a steely disposition to the deed of saving my creative work.

I organized my Google docs. Backed up hundreds of documents of writing practice on a jump drive—yeah, I bought a jump drive! Two jump drives, in fact. The other I used to house highly detailed folders with all my embroidery works, broken up by series and further by date. Inventory tracked. Price lists updated. I downloaded my Facebook and Instagram photo albums (you can do that!) and backed them up on servers. I organized my printed mood boards, dated my writing and art journals, wrapped and stored books I’ve been published in. It came without ribbons, it came without tags! It came without packages, boxes, or bags! 

These little digital and physical nests of me as an artist, maker, and person could be argued to symbolize something I subconsciously feel like I’m missing, like a more literal, all-encompassing nest (read: home). However, I’ve determined, more so, this act of wanting to archive and following through on it was a tangible display of my evolving idea of self-respect: Who else will save you, if not you?

Instead of archiving things to track my growth, the act of archiving did so itself.

Zero Proof: I’m Black and I’m Sober


On the newest episode of Zero Proof Book Club podcast, Shelley and I discuss “I’m Black and I’m Sober” by Chaney Allen, the first autobiography written by a recovering African American woman. Jackie and Shelley talk about the low number of sobriety memoirs by people of color, how women who drink heavily are judged more harshly than men, and the unique challenges faced by black men and women during recovery.

Listen to the new episode wherever you listen to podcasts or here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.

About “I’m Black and I’m Sober”

What to expect: An important work, this is the first autobiography written by a recovering African American woman

From the book jacket:

I’m Black and I’m Sober traces author Chaney Allen’s life from growing up poor and hungry in Alabama through her gradual addiction to alcohol as a young mother in Cincinnati, Ohio. This powerful story documents Allen’s journey into the soup kitchens of Selma, Alabama, to the tenements and late night joints in Cincinnati, and finally to sobriety in San Diego, California. Allen, a minister’s daughter, discusses her relationships with her mother, brothers, and children; the impact of discrimination; and the obstacles African Americans face as they become sober.

— I’m Black and I’m Sober: The Timeless Story of A Woman’s Journey Back to Sanity

Zero Proof: The Boatbuilder


In the new episode of Zero Proof Book Club, Shelley and I talk about “The Boatbuilder” by Daniel Gumbiner. 🛶It’s a novel about, in part, recovery from opioids. We discuss developing an appreciation for nature and being off the grid in recovery, the many benefits of working with your hands, and our own varying experiences with drugs vs. alcohol. 🛶

Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.


Pairs well with:

  • Cardamom Peach Shrub

We thought a shrub would be fun to drink with this week’s book pick, as “The Boatbuilder” stars California’s rugged trees and forests. To make this Cardamom Peach Shrub, chop up four ripe peaches and bring them to a simmer with one cup water, 3/4 cup sugar, five cardamom pods and a cinnamon stick. This part smells SO GOOD. Simmer over low for at least 15 minutes, then strain out the liquid and mix with one cup apple cider vinegar. Chill. When you’re ready to serve, pour over ice and top with sparkling water. 🍑🍑🍑 

About “The Boatbuilder”

What to expect: A fictional, meditative journey of a young man struggling to overcome an opioid addiction

From the book jacket:

“At 28 years old, Eli ‘Berg’ Koenigsberg has never encountered a challenge he couldn’t push through, until a head injury leaves him with lingering headaches and a weakness for opiates. Berg moves to a remote Northern California town, seeking space and time to recover, but soon finds himself breaking into homes in search of pills. 

Addled by addiction and chronic pain, Berg meets Alejandro, a reclusive, master boatbuilder, and begins to see a path forward. Alejandro offers Berg honest labor, but more than this, he offers him a new approach to his suffering, a template for survival amid intense pain. Nurtured by his friendship with Alejandro and aided, too, by the comradeship of many in Talinas, Berg begins to return to himself. Written in gleaming prose, this is a story about resilience, community, and what it takes to win back your soul.

“The Boatbuilder”

Zero Proof: Nothing Good Can Come From This


In the new episode of Zero Proof Book Club, Shelley and I talk about “Nothing Good Can Come From This” by Kristi Coulter. We discuss the drinking triggers that are everywhere in the summer and how you can signal you’re still cool after you stop drinking.

Listen to the new episode here, at ZeroProofBookClub.com, and follow us on Instagram at @zeroproofbookclub.


Pairs well with:

  • Carrot Ginger Turmeric + lemon sparkling water + fresh orange juice

Paired with our new episode, a carrot-ginger juice (we love Knudsen’s Carrot Ginger Turmeric) mixed with lemon sparkling water and some fresh squeezed orange juice. 


About Nothing Good Can Come From This

What to expect: A frank, funny, and feminist essay collection (dare we say, beach read?) by a keen-eyed observer no longer numbed into complacency

From the book jacket:

“When Kristi stopped drinking, she started noticing things. Like when you give up a debilitating habit, it leaves a space, one that can’t easily be filled by mocktails or ice cream or sex or crafting. And when you cancel Rosé Season for yourself, you’re left with just Summer, and that’s when you notice that the women around you are tankedthat alcohol is the oil in the motors that keeps them purring when they could be making other kinds of noise.

In her sharp, incisive debut essay collection, Coulter reveals a portrait of a life in transition. By turns hilarious and heartrending, Nothing Good Can Come from This introduces a fierce new voice to fans of Sloane Crosley, David Sedaris, and Cheryl Strayed―perfect for anyone who has ever stood in the middle of a so-called perfect life and looked for an escape hatch.

— Nothing Good Can Come from This