As seen in her new novel, “The Trespasser.” I have loved TF since “In the Woods” came out in ’07. Her work’s a great example of how commercial writing’s intrigue and literary fiction’s finesse can live in one hell of a thriller. I’m a quarter of the way through this new book. While I typically re-read her paragraphs a couple times because I’m struck by how she manages to say so much in four or five sentences, this one is worth pointing out. It’s one of the freshest descriptions I’ve ever seen a no-bullshit female character.
Found Chicago-in-the-summer footage
Summer, can you hear me?! This is must-watch research material for anyone writing a story about Chicago during this time period. Everyone else, take a hit and hit play. 😉
Just when I thought I’d seen every spirits sandwich board sign in the books, this one shows up.
Love this trend of showing recipes right on the product’s package. It’s hard to see from this pic but there’s an arrow and copy that points to the Triscuit topping. “Top with cottage cheese, peas and mint,” for example.
Brute is my new favorite word! Although, points deducted for “raw”…. eeee….
Who better to translate the DC roller coaster into a great political fiction than someone who has spent decades enmeshed in the gridlock of the country’s capital?
Rich Garon is just the guy.
In the eighties and nineties, Garon worked as chief-of-staff of the US House Committee on International Relations. When he retired, he began writing books to capture the stress and struggle of policy work, but also the incredible good deeds that can come it.
Clearly his life’s earlier work affected his writing — from the character development of his stories to the fact that he’s donating all the proceeds of his debut novel, “Felling Big Trees,” to WhyHunger?, a non-profit organization that works to fight hunger and poverty across the globe.
“Felling Big Trees” is set in the 1990s and follows a disgraced and widowed congressman who seeks redemption in America’s heartland. Small-town anonymity intrigues him as he recovers from political disaster and tries to free himself — and his teenage daughter — from the grips of his politically powerful mother in law.
A story of romance, power and second chances, “Felling Big Trees” proves that compassion and tolerance are not only possible in a time of strident tone, but essential for survival.
Did your work as a chief-of- staff for the US House Committee on International Relations influence your work on Felling Big Trees? How so?
Yes, it did. In that position, I had the opportunity to be involved in policy-making on some of the critical issues of the day, such as arms control, human rights, and development assistance issues. Working on Capitol Hill for more than 25 years also gave me first-hand knowledge about how things worked, and an insight into the personal lives of members of Congress, such as how they juggled family with the demands of the job.
What inspired you to write Felling Big Trees?
I believed some of the things I referred to above were worth sharing. I had just retired from my position on Capitol Hill and I thought I could bring an authenticity to things I wrote about in a novel. Themes in the book, such as helping those with few resources and stepping out from apathy when large problems demand action, were themes I wanted to share.
How did you marry compassion and tolerance with a story that also has intrigue and pace?
I believe the essence of a good policy-maker is compassion — a concern for those who need help. I tried to develop characters whose actions could show the importance of compassion against a backdrop of forces that challenged and threatened these individuals. Felling Big Trees is also a romance novel, showing how two individuals develop a relationship of love and hope. It also showcases the importance of father-daughter relationships.
Why use writing as a tool to support ending hunger?
I’ve learned it is important to use as many platforms as possible to make people better aware of some of the larger problems facing our society. From that awareness can come a political will to work with others to develop policies to help end these problems. I first worked with WhyHunger over 40 years ago when it first started bringing attention to the hunger issue. It is a great organization that has been tirelessly working to reduce hunger and poverty. Accordingly, I decided to donate proceeds from the sale of this book to WhyHunger.
What is the biggest misconception about homelessness or hunger in America?
I don’t believe the scope of either problem is well known. While we have made some advances in the past, there are far too many who suffer from homelessness and hunger.
When and where do you write? Have you found you work better on a schedule or did you write when you felt motivated?
I write at home and prefer to start in the early morning. In my case, I’ve found that I have to write every day, usually till mid-day. There are other times when a great idea occurs or when I’ve realized something I’ve written just doesn’t work. I’ll jot down some notes and work on it when I’m back at the computer.
While working on this book, did you ever experience writer’s block or become stalled in your writing? If so, when and how did you push through it?
Yes, more than once. There are so many things involved in a novel of close to 300 pages. Characters, scenes, plots, so many things must tie together. Sometimes you can make quick-fixes. However, you’re often faced with major rewrites that you just have to accept and develop.
Do you have any tips for writers on how they can channel their life experience into their storytelling?
I found it’s the little things that make for compelling stories. Some small things you can remember about a person or place that are described well can make for a good read.
Will you write another novel?
I have three completed manuscripts (one’s a children’s book) and I hope to have them published.
If you could invite three people, living or dead, to a dinner party. Who would you invite and why?
C.S. Lewis, Graham Greene, and Jesus. The first two are my favorite authors; their writing skill and intellect never cease to amaze me. Jesus has also had a profound impact on their lives and on mine as well.
The request for a Netflix recommendation comes fast and furious (eeeeh?) in the winter.
I watch a ton of TV. There’s so much great work out there, how could I not? So, of course, when the inevitable Netflix (et. al) recc comes, I always prop up TV shows. I love being able to binge a whole series at my own pace (usually in a weekend… gah!).
However, I’m always doling out the same critically acclaimed titles: The Peaky Blinders, Fargo, Transparent, Vikings, Sherlock, Atlanta… These are shows I obviously love and think are worth watching. I enjoy that shows like 2013’s Top of the Lake entertain me while also making me think about social problems, like rape culture in this example. But I don’t think they offer an entirely accurate picture of what I would recommend.
In fact, this winter I have been drawn more toward mysteries and drama-for-the-sake-of-drama than ever before (they run the gamut of prestige, from Scandal to The Fall and The Killing to a cheeky lil’ British mystery from the ‘90s called Midsommer Murders that’s like Murder She Wrote meets Shakespeare meets whatever your favorite soap opera is). This is escapism in full effect, my friends.
Sure, something like critic-fav The Crown is striking in its stoic, scenic shots. But sometimes you just want to gasp.
These potential suitors will get the job done.
Dr. Foster
Show stats: British, 2015
The gist: Professional doctor, loving mother and committed wife suspects her husband is cheating on her and everything unravels disastrously from there.
Why watch: Seedy undertones and a surprise, unforeseen twist every episode. Oh-so compelling! A contemporary trashy novel with fabulous acting.
Damages
Show stats: Five glorious seasons, 2007-2012
The gist: A high-street lawyer (Glenn “Glenn Close” Close) and her protégé (Rose Byrne) become personally and professionally entangled, embroiled and — possibly — ended as they deal with cases only a maniac would take.
Why watch: Absolutely ruthless power dynamics on steroids. Its plot is as snaky as Patty Hewes (Close’s character). Non-linear narratives abound, making it entertaining but not impossible to keep up. It’ll remind you why the red herring device is so deliciously useful. Also, Rose Byrne’s outfits will make you excited to get ready for work. YES, even in the winter.
Broadchurch
Show stats: British, 2013-now, murder mystery cop drama
The gist: A little boy is murdered in a sleepy coastal town and, of course, everyone’s a suspect.
Why watch: Evocative murder mysteries are always fun and this series has twists and turns even the most seasoned show watcher wouldn’t expect. It travels well into a third season, so it’s got a deep bench of episodes. You can chew on this one for a while.
The voice, they lyrics, the sound, the look. I love it all and have their latest album on replay. I’ll let this LA rock duo speak/play/riot/peacefully-motha-effin-protest for themselves. Visit Chicago soon, OK?
And I am not ashamed of my mental state
And I am not ashamed of my body weight
And I am not ashamed of my rage
And I am not ashamed of my age
And I am not ashamed of my sex life
Although I wish it were better
I am not ashamed I am no one’s wife
Although the idea does sound kind of nice
“Evicted: Poverty and Profit in the American City” by Matthew Desmond
This book is at once heartbreaking and genius. Fittingly, the author Matthew Desmond received a MacArthur “Genius” grant in 2015, a year before this book was published. “Evicted” is an investigative journalism-style book that profiles landlords and tenants in several Milwaukee neighborhoods, from the black inner city on the north side to the white trailer parks on the south side. I highly recommend it for anyone interested in social justice or the housing market. It’s a very informative look at why evictions are on the rise and how devastating they are for the families and communities they affect–one court ordered eviction and the payments and consequences snowball out of control. I love Desmond’s objective reporting; the landlords, who are as callous and cold as they can be forgiving, get equal play here to defend themselves.
The reasons for evictions vary and poverty reaches its brutal fingers into all areas of a life that can lead to even darker places in the pit (addiction, disability, discrimination). The whole book relays brutal anecdotes of unfair housing and regulatory practices and organizations that portend to help but are often just a busy signal at the end of the line. That anyone can survive hanging on like this is incredible. I think it’s important we remember that although there are agencies that are supposed to help social problems like poverty, it’s more than often not enough–and the dominoes fall fast. We need to keep aware of what’s going on in these neighborhoods and why so we can make decisions that help across the board (ie. healthcare).
Read the whole book, but here are a few interesting insights on how women, and especially black women, are at a particular disadvantage in this cycle:
“Women tended not to negotiate their eviction like men did, and they were more likely to avoid landlords when they fell behind. These responses did not serve them well.”
“Belligerent as it was, Jerry’s [a tenant] confrontational response aligned with Tobin’s [a landlord] blunt and brusque way. Property management was a profession dominated by men and by a gruff, masculine way of doing business. That put men like Jerry at an advantage.”
“In Milwaukee’s poorest black neighborhoods, 1 female renter in 17 was evicted through the court system each year, twice as often as men from those neighborhoods and nine times as often as women from the city’s poorest white areas. Women from black neighborhoods made up 9% of Milwaukee’s population and 30% of its evicted tenants.”
Barack and Michelle Obama
Barack specifically called out his girl at the farewell address speech this week in Chicago. Through his thanks, he teared up, and knowing how soul matey this pair has seemed throughout his entire presidency, you know this was just another genuine example of feeling too. While their friendship, teamwork and equal relational status are all admirable qualities worth emulating in my own relationship, I have to take a feminist aside here and fist pump the prez. Growing up (Bill Clinton was president), it always seemed like men in power had wives as show horses or bargaining chips, never really as sidekicks. Plus, men didn’t cry. Not really anyway… But Obama’s tears on a center stage for his beloved reminded me how far we have come even in the last 20 years about what strong masculinity can represent. You can cry out with love for your wife and still be the leader of the free world—in fact, it probably makes you more trustworthy as a leader. More of this please. #mykindoffamilyvalues
Mom’s in charge. She’s thrifty, but girl’s got style. Twenty years from now those lace collared gowns and acid washed denim dresses she’s got your chubby baby legs in are gonna make older-you gush. But you’ll want to talk about those bangs. Listen, she’s doing the best she can with what she gave you. Your hair is rowdy! Like a swath of velvet that won’t flow in one direction no matter how many times you smooth a hand over it. No worries. You’re a baby. Babies get away with everything, like having no hair and pooping themselves.
Age 9-12
You’re going to start experimenting, your looks are the thing you’ve learned you can control or at least try to improve upon. This fledgling desire for independence will lead you to taking a brown eyeshadow kit and brushing its heavy smudge over your near-transparent brows. You will look goofy but your beautification choice will also really denote your brother’s seventh birthday party. Eventually you’ll start pinning back one half of your bangs in an effort to look like Wynonna Judd. In fourth grade you’ll graduate to new glasses and switch things up again by separating your banged curly cues straight down the middle. You think it’s a good decision: After all, the curtained coif leads the eye directly to your cool new specs. It doesn’t. It could. But it doesn’t. Because the eye will simply stop the behold the bangs. They look like you have sprouted flaccid red devil horns that curl at the tip. That you have developed a passing prurient interest in things that could send you to said devil is not wholly inaccurate, you hair perhaps a symptom of your starter-sins.
13-16
As this is a childhood pre-Internet, knowledge of coconut oil and best practices for a straightening iron will be the white knight of your college experience, so now you are forced to figure these things out on your own. Luckily, foreheads are hot right now. You make a case with cut-outs from your “teenie bopper” mags, as dad might call them, and collage them into a diary that’s really now a journal (clearly denoted by the word “Journal” penned in something permanent across the front) because only little girls have diaries. Drew, Gwen, Christina. Bangs are for babies, clearly. Bare bulbs, for babes. You, being particularly well-endowed with a five head, decide this is the best route — just grow the bangs out and pull them back with a headband. This look is lukewarmly received by its peers but it makes getting ready in the morning a lot easier, offering five minutes of additional time to spend wiping the rouge mascara off your eyebrow bone and cheeks and vanity mirror and fingers and…
17-29
It’s homecoming or prom or something important your junior year. You have figured out The Swoop. I cannot understate how revolutionary this will be for your life. You have been the cutter, shampooer and stylist of your own hair ever since a brief but raucous run-in with lice in sixth grade, which made you anxious to experience anything close to the kind of humility that is sitting like a wet rat with fleas in a place vomiting fluorescent lighting as, possibly, classmates walk by. But this. All your training has paid off. Something about the way the sweep of strands cover that presumably prize-winning forehead makes you look, dare I say it, kind of hot. The straightening iron and improved proficiency with a mascara wand have also helped, but my dear, we have something great going here. Let’s write it on parchment with our virgin blood and the trimmed toenail of an elfin queen and never, ever stray.
30
You won’t. The Swoop will be your companion through two presidents, four or five boyfriends, seven or so jobs. The Swoop is the steed with which you endlessly saddle your hopes and dreams that today, just maybe, you will good looking. You have learned how to experiment with lipstick and style choices, sexuality and email providers. But never The Swoop. You dare not risk another ginger-tinged failure. That is… until now. Until the New Year’s Eve between your 30th and 31st birthdays. You are bored. You have a lot to look forward to but it’s not here yet. So you are bored. You want to, need to make something feel exciting. And harkening to the lesson you learned a long time ago — that you are the only thing with which you can exert full control — you grab the scissors. You pull your hair forward with a comb because you’re not an animal. You check the Pinterest image twice. You cut. You keep cutting. Oh my god, why can’t you stop! Control, Mantey! The sink is now a battle field of red soldiers, chopped at the knees. You’re afraid to look up, decide to first bury the lost. With one eye and then the other you take a look upon the wreckage. Not too bad. Manageable. You throw on some lipstick (red for distraction), count down to the new year, and agree with all former selves that while bravery in the face of boredom is admirable, may we never stray too far from The Swoop again.
We’re not imagining that 2016 seemed unusual in its famous deaths. BBC took a look at its obituaries files and found that twice as many notable people died in 2016 compared to 2015.
But do you think the celebrity death toll will be even higher next year? I think it will be, and forever more. We just have a lot more people who qualify as celebrities now. Can you imagine what it will be like when Millennials hit their seventies? It’ll be Jennifer Aniston one day, Pauly D and the guy from the Bad News Brian meme the next. Every day we will mourn a celeb passing because we’ll have triple the celebrities as days in the year.
Plus, with social media, we hear about or see more loss than we would if we didn’t have a platform where we could follow people throughout their lives. When an acquaintance you worked with for a few months at Quizno’s your sophomore year of college becomes your Facebook friend and dies years later in, I don’t know, like, a freak boating accident and you read about it when you go to write on his wall for his next birthday, you’re naturally inclined to think it’s been a rough year out there, whereas before social media that guy would have left your social bandwidth the last day you two steamed a ranch chicken sub side by side.
Of all the celebrity deaths in 2016, I was most upset by that of David Bowie. His music was the soundtrack of my transition from high school into college. People who knew Bowie comment often on his chameleon-like qualities. He could blend in anywhere, which is pretty remarkable for a diamond among pebbles.
Some of the best artists I know are like this. The shape shifting they’re capable of correlates to their ability to empathize with multiple, often competing perspectives—they see the world in a way the rest of us can’t because they’re often living on their own one. They transcend structural identities and get on with it. When they’re good at what they do, they see to the core of humanity (through watching us and self inspection). They dispatch what they find through their work. That’s why art matters. It helps us better understand others and ourselves.
Bowie’s music did a lot of the latter for me. I loved how he could live in flux. I wanted to live like that. I do live like that. I try. Between David to Bowie to Ziggy Stardust, he moved flawlessly. He could be an alien and also the kind of good guy who would sing Christmas songs around a piano with American meatheart Bing Crosby. His manifestation of butterfly to caterpillar and back again is a feat no other musical artist has been able to pull of since—although that may not be entirely their fault.
We are such brands as ourselves, even you and me, those aforementioned pretty pebbles. Because we have (most of us anyway) so clearly defined who we are as people online, any attempt to be someone drastically different or made up feels contrived, even when its for performance. It’s hard to pull off a thinned mustache and angsty hairdo when you are a cowboy and have taught everyone else how to be one too (looking at you, Garth). Not even Beyonce could pull it off and she, as the good book predicted, can do almost anything. But her Sasha Fierce character fell as flat as Britney Spears vocals pre auto-tune.
But Bowie, man. His range of expression was part of his art and, thus, his charm. It’s hard to maintain credibility in pop culture as a capital-A-Artist without coming off like a complete twat. He never did.
I want to be like Bowie. Still. On a much less grand and glittery scale, but I want to be genuine in my different roles and identities.
Never false, but also never stuck.
I want to gracefully be able to change my mind, grow and love even when it’s difficult. Part of my admiration for him came from his fluidity and what he offered me because of that. I could listen to “Let’s Dance” with my mom and get weird to “Diamond Dogs” with my friends. In a way that seemed effortless he straddled the fence. Hell, he danced on it.
I long for that kind of ambiguity right now when everything is so polarized. Bowie could jump from lily pad to lily pad, bring them together without ever sacrificing his unique magic. This year I’ve felt more like a sinking stone between two.
My lily pads. The Chicago jungle. The central Ohio farmlands. They seem further apart than ever before. They are physically speaking, two different worlds, but after the presidential election, they felt like that emotionally and intellectually too. Distant planets. Like spiders from Mars. As quickly as Chicago turned blue, Marion, Ohio, seeped red.
I have a lot of role models who have showed me how to live in the middle of these two spaces. My experience of having radical beliefs and conservative roots is certainly not a unique experience. Reconciling the two requires a balancing act that is actually quite rewarding. I can never be too much of an asshole one way or another because I love people who are completely different from me—when I get mad at them, I remember why they’re still in my lives and find a new way to explain why I disagree instead of shutting the door. It challenges me to explore what I believe and why on a regular basis.
At first, after November 8, I didn’t want to go home for Christmas. Talk about identity issues: How can I be the only one who became a radical anarchist in a loving home of Republican Roman Catholics? I’ve always felt a little displaced there, even with all that love coming my way. Difference, even amidst love, can cause confused wounds and mine had healed with time and art and maturity and writing and, well, David Bowie.
But home I went (and I was so excited to do so after some perspective and self-care revealed ways I plan to make a difference during the next four years. Volunteering, donating, just trying to continue being a good person in whatever definition that takes for me).
When I was home, the 2016 death I kept being reminded of was not that of a celebrity. It was of my grandma. Grandma’s expressions of love for me could be spotted everywhere if I was paying close enough attention. And I was. She left behind a lot. From the stocking that she made for me that hung every year at the farmhouse where she lived with my grandpa, to the ornaments she made for all of us every year. She always tucked $1 into the ornaments’ folds. I used to love digging a little finger, sticky from sneaking Christmas cookies, into the ornament to pull out my prize. Every year of my life she gave me one of those.
Rural America is consistent. Just like those ornaments. I know what to expect there. It is slow to change and relatively simple. Sometimes that infuriates me, but I need that caution in my life too. I need to know I can always come home and some things will be the same. The tree will be up and gift with my name on it will be underneath, no matter what I choose to do, say or vote for the rest of the year. In my life are good people who are willing to listen, and so am I.
Later in the week, my dad was going through some boxes from grandma’s house and I was helping, which means I was just looking at the contents that made their way from box to living room floor. There were bowls and trinkets. A lot of religious iconography. I laid claim to a framed towel my grandma decorated after a Bahamas trip with seashells she found on the beach.
Then he pulled out a blue book. Looked at it. Handed it to me. It was the program from my college graduation. She rode up with my family to watch me walk across the stage and get my diploma, the young woman she saw there much different from the little girl she remembered. I smiled and opened the pages.
There’s no way she could have realized what a wonderful feeling her actions around this program would inspire in me years later. Not only was I moved that she had kept it, but that she had dog-eared all the pages of the book that listed my name. Had she looked at it again, after the ceremony? Maybe, maybe not. But she had been there and that mattered. And she had, in her deep pride of my accomplishment, made sure to note with a fold of the page where I was named for my efforts.
My grandma and I were not close, but I feel the unspoken power of this action and note how this feels different from the ornaments. She never would have known I’d see the book, her folds. She just felt love and excitement for me and did what she did. The recognition of her recognition created a deep tenderness in me as I watched my mom, that same night, crochet a blanket for her next grandchild. I hope he reaches the level of appreciation for the thought and care that went into that blanket as I do for my grandma’s quiet examples of what I meant to her.
On my flight back to Chicago, I read the following passage in an essay by philosopher Todd May. It seemed so fitting as I flew to my other lily pad, not quite knowing how I will define “home” in my future.
“Death and its other, immortality, present us with the paradox our lives must grasp. We must simultaneously recognize the evil to each of us that death inescapably is and yet also not pine for a future that would bleed us of the reasons to fear death. We must embrace the fragility that lends our lives beauty and, at the same time, withdraws beauty from us. There is no straight path, nor a crooked one, that will lead us beyond all this. Our home lies here, we might say.”
Art always finds a way to move my understanding forward. This passage just the latest example. But it’s nice to know even as I progress I will be tied to a place that, though different from me, will always hold me tight, no questions asked. My teachers include David Bowie. And my grandma.
Soon, out my window, Chicago blasts its lights. Thousands of beacons that say hello, welcome to the other side. From my angle, as we curve over Lake Michigan, the city looks like it goes on and on forever. As if all the life doesn’t eventually end buried in acres of dirt. I know it does. And I’m not afraid. I smile, take a pic, and text it to my family in Ohio.
Sure, she got her ass kicked swiftly and brutally by Amanda Nunes (who, whoa, will be fun to watch in the future), but Ronda’s still my girl. She’s a legend who put her sport on the map and single handedly proved that women and women’s sports can be top-billing, headlining acts. Big ups to her for getting back in the ring and not falling despite eating shot after punishing shot in this “comeback.” There’s quite a lesson to be found in the deja vu of this knockout and her last one–it’s like she learned nothing new about ducking in the 365 days that passed. Head up, though, girlfriend. It’s like poet Carolyn Forche wrote:
In our sojourn on Earth, we are presented a curriculum for the education of a human soul, comprised of lessons that seem mysteriously to repeat themselves as if not properly learned the first time, or as if they were lessons failed, but this curriculum moves in a spiral rather than a circle, never returning quite to the same instruction, and the fortunate few experience, I think, epiphanies in their late years, so that even failure is embraced and welcomed. It is a Samuel Beckett wrote: ‘No matter. Try again. Fail again. Fail better.’ The final realization might be that we ourselves wrote this curriculum within the depths of our being.
Louis CK’s new year’s greeting
Louis CK sent out an email to his fans a week ago with information about what he’s working on, highlights of new shows, and a brilliant dose of perspective delivered in perfectly imperfect Louis fashion. An excerpt here:
Joe Rogan’s new standup special
Ok, he’s easy to write off as the once host of Fear Factor if you know literally nothing else about him, but Joe Rogan is a really interesting guy. I like listening to his podcast. He’s naturally very curious and gives all ideas, all people a fair shot at sharing. The new special has several bright spots, like when he’s talking about getting really high on California weed and having this unexpectedly inspiring thought:
What if everyone is exactly the same? We’re just living life through different bodies. What if that’s the secret of happiness? Treat everyone as if it’s you, living another life.
If you were high right now, your head would explode.
Full special (including the punchline to this joke) is on Netflix now.
Words on the street
I really should start a compilation of wonderfully fun copywriting I see in restrooms. I love 85% of what I find, including this one in a new Columbus pho restaurant. It doubles as a phonics lesson for how to actually pronounce the word.
Even in a Dumpster fire, there’s a lost shoe or perfectly capable discarded broom to be found.
New people
Foster. Foz Man. Fozzie Bear. Whatever you call him, my newest nephew was hands-down the cutest, happiest baby born in 2016. Welcome to the world, fellow Pisces love bug bubby wuver boo boo. <*auntie kisses*>
Old people
This ol’ flame. Justin and I got back together, got engaged, and, I don’t know, became grown-ups at the same time in the serendipitous way that only revelatory love can engender. He’s my number one and I am his. I understand and respect what that means now in a way I just couldn’t before.
Sobriety
After one seriously ridiculous (fun, but ridiculous) bender — a type of night that had become troublingly familiar — I quit drinking. I’ve been sober for eight months now. Best decision I’ve ever made for myself. For so many reasons. In my latest Mildly Depressed: The Podcast episode I talk about how I did it, why I did it and why I’ll likely never drink again.
Chicago
Though we’re still getting to know each other, Chicago has smitten me with its concrete charms. Oddly enough, the thing I keep talking about it the public transportation. I l-o-v-e that I can walk to whatever I need in my neighborhood, and when I need to travel outside it, my adventure is only a bus or train ride away. There’s so much life here and it’s exciting to be woven into the fabric of such a feracious city.
It was hard to move from central Ohio, a place that had supported and loved me so well, a place where all my people lived and a bright future was imminent. But to borrow a phrase from years past, YOLO. Bravery has its rewards and I look forward to reaping more of them this year.
Kate McKinnon
She’s the new Will Ferrell. So goofy. So smart. So original. The way she nails impersonations but adds her own comedic twist (just like Will as Janet Reno in Janet Reno’s dance party). Gah! I just love her. In a downer of a year, she made us all laugh, and that wasn’t easy. Give her all the movie deals, 2017!
Those accents!
Runners up: watching Simone Biles, Nasty Women everything, visiting Dollywood.