This guy is from Augustus Sherman’s collection of Ellis Island portraits. The photo is dated 1906. He’s listed simply as “Romanian shepherd.”
I looked up the May Day celebrations and rituals of Romania (nearly every country’s got some), and this apotropaic one charmed me:
“The entries to the animals’ shelters are adorned with green branches. All branches are left in place until the wheat harvest when they are used in the fire which will bake the first bread from the new wheat.”
To be clear, the fire is to bake the bread.
Definitely only the bread.
Definitely not the sad American co-ed’s bad boyfriend dressed in a bear suit.
I had food poisoning the day before my birthday, so I’m just now catching up on life and everyone’s super kind greetings from March 15, usually the best day ever (just ask this little party animal circa 1988).
THANK YOU! It was, shall we say, not a great day this year, BUT, I’m grateful for it all the same.
I think the rest of my 36th year is going to be awesome.
Here are a few reasons why:
At the beginning of the year I got accepted into StoryStudio Chicago’s Novel in a Year program. They only accept 12 writers per cohort AND I GOT IN. I have been too shy to apply for years, wary of my fledgling fiction-writing skills, but I finally got the courage last fall and am honored to now get to study under the author Abby Geni for 12 months. The program is giving me the final push I needed to finish this manuscript I’ve been tinkering away at for years. (It’s fiction about two people trying to save their hometown roller skating rink. That’s all I’ll say for now, but I love the story, the characters, and the rink.)
Justin and I are moving to a much bigger new place in the same Chicago neighborhood we’ve loved living in the past few years. It has enough room for us each to decorate our own space of the apartment (a divisive issue in our last spot, because Justin’s style is very 90s hip hop music video house meets minimalist chic and my style is very OMG DOLLY PARTON AT GRACELAND meets “never met a shag carpet or a cheetah print I didn’t like”). I’m turning the sunroom into my office and I can see Metra trains cruise by on the treeline and above the rooftops as the sun sets and, fuck dude, I die everytime I see it because it’s all I imagined a sunroom to offer. The best part is that a dear friend of mine found the spot for us randomly on Next Door and it feels like friend-fate/ the power of my home-is-inside-yourself approach to life coming to fruition IRL.
The minuscule overlap in the Venn diagram of our styles = a blue velvet couch.
My new-ish job is chaotic but overall great. Did I post about this last June? Anyway, I got a new fully remote, full time senior writing and content strategy position at a creative studio last June and I’m doing a lot of tech writing. It’s a fun challenge to flex a new writing muscle and learn about computer science and engineering on the clock. I still pinch myself that I get to make such a great, intellectually stimulating living through writing. Writing has paid my bills for the last 18 years. Eternally grateful for the natural talent and the hard-driving teachers who got me here.
Making lots of new art. Last year I started incorporating acrylic and watercolor paint into my practice, and I’ve been obsessed with making collage animations in PhotoShop recently.- Still crushing that auntie game! I love all the little babies! I feel like kids just need a lot of “Yes, and…” when they play and I am excellent at that. I get a lot of joy out of getting to know my nieces and nephews as they grow up. Such cool people my people made!
I finally learned how to make orange eyeshadow work on my dumb face!
It’s worth repeating ad nauseam: My narcolepsy diagnosis a few years ago was life-changing and the medicine I take now to fight my extreme fatigue has been life-giving.
Six years sober in April, baby. My second birthday, as my anonymous friends like to say. Fingers crossed I won’t be sick for that one this year too.
I have some new artwork published in the latest issue of indie journal Lover’s Eye Press.
Check it out and stay a while. Read the lovely literary entries, explore the other artwork, and listen to the great podcast interview with featured artist E. Hughes.
The Rosa Collection is a series of spiral-bound notebooks with printed front and back cover collage designs I made, inspired by the 1799 botanical etchings of Mary Lawrance.
Metal wire-o binding
Soft-touch coating cover
5 inches x 8.5 inches, 140 dotted pages
Sourced from the U.S.
$20 (shipping cost and sales tax included in price)
These soft-touch cover notebooks are hard to resist.
The show will have more than 50 unique art objects for sale under the gallery’s Christmas tree. Two of my original embroidery artworks and a gift pack of my collage notebooks will be wrapped up all pretty under there. 🙂
The gifts will have the name of the artist who made the work on them (so guests can have an idea of what they may be purchasing) but the contents of the gifts will be a surprise.
Every gift is $300 or less and a portion of the proceeds will be donated to Brave Space Alliance in Chicago.
Come in and buy a gift of artwork, hang out, and enjoy baked goods from Gingham Baking and eggnog. What a Saturday! There’s word Santa might even show up…
The gallery will be open Sunday as well so you can still hit up the tree if you can’t make it Saturday. They’ll have items available on the online shop soon too.
Chicago friends, come see two of my newest pieces in person, plus work from these awesome other artists!
The Fulton Street Collective group show Journey / Explore opens this Friday, December 10, from 7-10 pm.
The address is 1821 W. Hubbard St. (on Hubbard between Wolcott and Wood, and NOT on Kinzie… that’ll send you to the alley, and that’s not where the show will be though perhaps that’s a cool idea for next time??)
Tickets are $5 and there’s a capacity limit (because 😷), so snag yours now!
As the end of the year (aka gift giving season) rolls up with the top down, I thought I’d show off one of my favorite custom embroidery jobs from the archives.
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I recently finished this custom piece for a dear friend. He wanted to gift an artwork to a friend who loved wrestling and wrestling history. He picked an image from this series of photographs by Irving Penn from 1945 and told me to have at it.
Original image info: Irving Penn, 1945, “Dorian Leigh & Maurice Tillet aka The French Angel”
The man in this photo is Maurice Tillet (1903-1954), the most notorious wrestler of the 1940s, better known by his ring name, ~THE FRENCH ANGEL~.
“He studied 14 languages, wrote poetry, and aspired to become an actor. However, his dreams were shattered when he developed acromegaly in his twenties. … This disorder is caused by an abnormal production of growth hormone usually related to a benign tumor of the pituitary gland… With his new body, Tillet, an educated man and a lover of the fine arts, felt like a monstrosity. Unable to face a life of constant gawking and humiliation, he decided to make drastic changes and use his condition to his benefit.”
At the end of his life, Maurice was a Chicago boy. He died here, too, of a heart attack that came on after he heard that his trainer died. <sobbbbbbing>
My color choices for his wings and the stars on his belt are a direct reference to the Chicago flag.
I almost put the fourth star on Maurice’s belt too, but I just had to do something about Dorian there…
The angle of her foot, the shape of that heel… oh la la, there’s just so much I love about that aspect of the original photograph. I put the last star beneath it to give Dorian her own special place in this piece.