If you’re getting bogged down but you’re not sure why, former Wall Street Journal editor Shani Raja suggests physically changing the copy.
Then when I look at it, I feel like I’m looking at a new document. Suddenly I’m able to get a perspective on it I didn’t have, and I read through and I can feel some of the problems. … Make a physical change that gives you a fresh view of what’s happening.
As a kid, I loved the way these “old” phones felt cradled to my ear and the way they would “brrring” real fast after you picked up or hung up with any kind of speed. 📞⚡ Getting to use one that was a cool color made me feel like a movie star… a fancy lady with a rotary and, probably, a metal cigarette case and, definitely, a signature scent she wore pumped from a silver and gemstone colored bottle.
And if being a fly on the wall was an option…
I’d rather be a spider.
A little bit off. Watching from the corner. Untouchable.
During the holidays, I love to send Christmas cards to my family. Immediate family only because, like a wedding guest list or an AIM friend list mid-growth spurt, holiday card rosters can fill up quickly if boundaries aren’t put firmly in place.
But I’m always left scrambling to find their addresses. Yes, addresses I’ve sent postcards and photos and newspaper clippings to a million times. Grrr. Why don’t I ever save them? It’s the same routine: Search, sweat, ask, receive, praise be, write, mail, move on to other shiny things, repeat in two months.
It seems rude at this point to keep asking my grandparents and siblings for their A/S/L (address, street, location) when they haven’t moved in years.
I refuse to load the addresses into my phone, which would be the smartest thing to do, but that just feels so cold and impersonal. Instead, I want to be the kind of woman with an address book. Because that feels like it would be lovely.
Oh, now, don’t be so surprised at my motives.
I am, after all, a Pisces.
This one feels almost right:
A thicc-ass address book wearing a sensibly chic green floral print: $39.03 on Etsy.
I like this one, too:
Vintage. Sixties. Brass tacks, and leather bound: $12 on Etsy.
Today (Saturday, Dec. 15) at 8 p.m., come see me on the holiday-themed lineup of Fallen Angel storytellers at DMen Tap (2849 W. Belmont Ave., Chicago)!
I’m excited to be included on this awesome showcase. I’ll be performing a story about my leading role in the third grade school Christmas play. AKA my glory days… that ended in bittersweet disaster.
In honor of tonight’s show, here are three of my favorite well-told sad holiday stories. Because let’s be honest, this time of year can be kind of a bummer sometimes, and witnessing other people’s grief can often help you feel not so alone in yours, you know what I mean?
Bill Burr and the time his dad got him a doll for Christmas
https://www.youtube.com/watch?v=9PH4JHPAa_I
This is the story that made me fall in love with Bill Burr (though his brutal bit about lady brunchers and craft fair shopping certainly helped). It reveals the hurt kid inside the seething comedian, and I love that Bill, someone who brilliantly wields comedy as a defense, let us see and experience that with him. It was filmed at the U.S. Comedy Arts Festival in February 2003.
Bonus: In the veterans parade episode of the new “F is For Family” season, Frank (the dad) yells at Bill (the boy) that if he doesn’t shut up, he’s getting a doll for Christmas. So, thanks for that little Easter egg too, Bill.
Judy Garland’s version of “Have Yourself a Merry Little Christmas”
Fun fact: The secret ingredient to good eggnog is salt from your tears! Judy’s voice on this is sure to melt them out.
Jo Ann Beard’s essay “Waiting” from “The Boys of My Youth”
I love this book so much, and I think you/everyone should read all of it. But her essay titled “Waiting” is particularly heart-warming/heart-wrenching right now. It’s about her mother passing away from cancer around Christmastime. Here’s an excerpt, seen from her mom’s hospital bed as carolers circle round to sing (Linda is Jo Ann’s sister):
“Linda hesitates and then opens the door, gestures for them to step in. We move to the head of the bed and stand like cops with our arms folded, trying to smile. They finish one song and all look expectantly at the lady with the vibrato. She says, Three, and they begin to sing ‘White Christmas.’ This is our mother’s favorite, she used to put Bing Crosby on the turntable when we all sat down for Christmas Eve dinner. It was part of the feast, like the white candles, the clean linen tablecloth, the gleaming china. As she passed the first bowl and our father stood to carve they would sing it together, one at each end of the table, softly serenading their children. Our father, in fact, had a wonderful strong baritone just like someone in the crowd of carolers. Suddenly regret is swelling in the room like the voices of the choir. As she lies in the bed, she weeps, for Bing, for the melting, shimmering candles, the filigree on the holiday tablecloth. She is an unwilling astronaut, bumping against the thick glass of the ship, her line tangling lazily in zero gravity, face mask fogged with fear. My sister reaches across, over the bed, and we both embrace the mother, holding her on earth, pulling her onto the ship, breathing our oxygen into her line. Ten hours later she is dead.”
Jo Ann Beard, excerpt from her essay “waiting” in “The Boys of my youth”
A friend was picking my brain this summer for places that I go to write. Now that I’m living that good good #giglife, I can pretty much work from anywhere, so she assumed I had a hundred and one places squirreled away in my work-from-all-over office catalog.
Rumor had it, she said, that this space was open to the public, and it was beautiful, and you could just go sit in there and read and write! And no one asked any questions about your right to be in the club! Or your preference of golf swing! Or if your Izod shirt was in the wash! Sorry, my club stereotypes are very late-’90s.
Nevertheless, there it sat gathering dust on my radar all fall. Like treasure I knew the route to but didn’t feel worthy enough to hunt down. I was intimidated by the bougey rep of an “athletic club” and “chic hotel” and, just, you know, the whole notion that this was a private place for fancy folks, with a shrimp cocktail concierge and warm towelette dispenser on each elevator.
Per usual, I was wrong. And I took the stairs, so I don’t know about the elevator.
My friend was right: This second floor space inside the CAA is open to the public, and reading and writing in it kinda feels like reading and writing inside a castle!
There are dark, intricately carved wooden beams, ornate leather chairs, a crackling fireplace, and snow globe-style views of Michigan Ave and Millennium Park. There’s no shrimp cocktail concierge, but there was a very friendly waiter who brought me water and coffee and snacks whenever I need it. I mean, you do have to pay for that stuff, but it’s basically a BYOB(ook) library with food and drink service.
These are 68 itty-bitty rooms built on a scale of one inch to one foot, and they’re decorated to look like European and American interiors from the late 13th century all the way to the 1930s. AND, right now some are decorated for the holidays. Eeeeeee!
I recently went to look at the Thorne Rooms on my lunch break (giggity #giglife… I was posted up in the Starbucks across the street). While there, I broke a record for “Longest Time Spent Squeal-Clapping and Saying Oh This Is Just Delightful Over and Over Again.”
Yes, Virginia, that is a Christmas marzipan hedgehog the size of a thimble.
Every year, around this time, more than two decades ago, the first-graders of St. Mary’s Elementary School would gather into the first floor lobby of their brick school building, which was dwarfed, like a first-grader to a sixth-grader, by the soaring, heaven-scraping church in front, and sit their bony little bottoms on carpet worn down from more than four decades of Mary Janes, saddle shoes, Reeboks, and now Nikes.
They were, around this time, used to gathering in such a way, as there was an Advent something or another happening in these makeshift assemblies once a week every December, when the whole school of bony little bottoms would swim out from their individual classrooms and sit together on that same worn carpet and sing and read and light a candle in anticipation of Santa Jesus coming to town. Purple. Purple. Pink. Purple.
But this first-grader thing was just for the first-graders, which seemed very special. Both classes would sit down to listen to Mrs. Sinnot tell a story, whether she was your first-grade teacher or not, which also seemed very special; any shift in the natural school day order created a little baby-sized buzz of excitement.
Now, this Mrs. Sinnot (pronounced sin-ut, but it’s, indeed, very ironic to think of a Catholic school teacher named SIN-NOT… maybe I’m remembering the spelling incorrectly or maybe this is just another little universe miracle we can all thank baby Santa-Jesus for later), this Mrs. Sinnot was just wonderful, as so many first-grade teachers are. Her salt and pepper hair was cropped to the exact dimensions popular with fairies around that time, and she was about the size of the half-pint chocolate milk cartons I’d cup like gold coins in my palm each day in the cafeteria lunch line.
We were gathered here, like the first-graders before us and the first-graders yet to come, to listen to Mrs. Sinnot read aloud her favorite book: “Strega Nona” by Tomie dePaola.
Published in 1975, “Strega Nona” is about an old woman in Southern Italy who is a witch doctor (!) (which is rad but, mind you, she’s never called as much in this Catholic school setting) and she travels the countryside helping cure villagers’ maladies, like warts, because this is a kid’s book and the bubonic plague is some heavy shit.
She also makes pasta. A lot, lot, lot of pasta. Because… her pot is magic! And this magic pot can make as much pasta as Strega Nona ever wants, as long as she blows three kisses <kiss, kiss, kiss> into the pot after singing her magic, pasta-producing spell. (Today this spell is called Grubhub.)
All is well in Strega Nona’s softly lit world, where the colors are creamy and the edges are not sharp, until one day, a man named Big Anthony, her helper, overhears her spell but doesn’t see her do the three-kiss closer <kiss, kiss, kiss>. So, with good intentions but not enough information, Big Anthony makes a magic pot of pasta… but doesn’t know how to turn it off. So pasta grows and goes and grows and goes until it threatens to drown out the whole village in its doughy doom!
When Strega Nona returns, feet sore from a hard day traipsing the hills to bring kindness and, I presume, lavender oils to the warty townspeople, she stops the spell and makes Big Anthony clean up the mess by handing him a fork. Mangia!
… I love this Strega Nona story so much, especially because it’s tied to such a happy memory—someone lovely reading aloud, in a mysteriously exciting school-day kind of way. But even so, I completely forgot about Strega Nona and her magic and that there was ever a time when I was innocent enough to delight in nothing but the imagining of pasta taking over a whole town.
Then I saw a random headline somewhere about Tomie dePaola’s new book “Quiet,” and it wasn’t his name that alit me from within, but that unmistakable illustrative style. I saw the gentle outline of his characters, the thoughtful pastel colors from his worlds, and like the snap-pop of a lighter, my mind shot out “STREGA NONA” from the murky depths, and off I went chasing the clickbait. Finding meaningful stuff in such as way is modern day magic, yes?
“Quiet,” like Strega Nona, is also magical, with illustrations like a hug, but the magic is found in something we all have. No secret recipe here. No fated headline coming your way. Instead, the magic can be found in quiet. In stillness. In the <kiss, kiss, kiss> of shhhhh-ing that can stop, not pasta, but a brain from overflowing.
“Your mind is so busy. You have to train it to quiet down.”
Tomie depaola
Read the book here or the Kirkus review here. Related: This wonderful meditation on stillness, gifted to me recently from a new friend.
I’ve already fallen in love with Barbara Kingsolver’s nonfiction writing thanks to her book of essays “Small Wonder,” so I’m excited to dig into her fiction and see if it has the same effect. I admire her ability to give the smallest observation its rightful place in the bigger picture she’s painting–like finding a puzzle piece under the coffee table and using it to complete the whole damn thing.
“Unsheltered” is her new novel about two families in two different centuries living in the same house. One of those families is a modern-day grouping of debt-saddled Baby Boomer parents, disillusioned Millennial daughter, and disabled Greatest Generation grandfather. The other family includes a curious science teacher threatened after discussing the exciting new work of Charles Darwin in class.
“With history as their tantalizing canvas,” reads the book description, “these characters paint a startlingly relevant portrait of life in precarious times when the foundations of the past have failed to prepare us for the future.”
^ I have been heard asking this throughout my social circles for the past three weeks since uncovering this book of essays, published in 1999, from the lost-in-circulation library heap. Actually, now that I think about it, “The Boys of My Youth” hit my radar courtesy a piece in the latest issue of Creative Nonfiction magazine, in which a contributor praises Jo Ann Beard’s book as something every student-writer must read.
Wowee, what a gift. Beard is brilliant. Her voice is so effortlessly funny (her three-word sentences are witty weapons a post-dial-up humorist would haul 30 in for). But what I love most is how Beard writes memoir in-scene, with remarkable grace. It’s as if she enters another plane, able to look back and from above, to hand down her stories, reported with life-affirming, knot-spotting details she missed the first time around.
I’d recommend this to everyone who loves to read, student-writer or not. I’ll be asking S. Claus for my very own copy this Christmas, too.
This book is a künstlerroman, which is German for artist-novel, which is American for: Anything goes, motha fucka!
That appeals to me, you know? As did the bookstore’s shelf-talker recommendation for it. I haven’t dug into it yet, but lists and poems and assimilations and some real-saucy-but-profound-shit await. A manual for nothing sounds like a manual for everything-I-need-right-now.
P.S. Readers have asked about the desk calendar I feature in this blog post series, and, as the new year approaches, now’s the perfect time to get your own! The monthly pieces are from Linnea Design and the 2019 series is just delightful (that is, as far as I can tell from just glancing at mine… I try not to look at each month until it’s time to slide it into my clear plastic desk frame on the First of Whatever… THRILLING!… Look, I take my kicks however they come. You can use your calendar however you want.) The toy dinosaurs are gifts from my niece and nephew. Good luck finding those (such perfect nieces and nephews and also these exact dinos).
I’ve been so into actress Tessa Thompson this year! And apparently I’m not the only one: The Cut just featured her in an article titled “Tessa Thompson Knows People Can’t Stop Thinking About Her.” It’s something about the way she talks, right? She’s trance-like and so very deep. And her style. I loved her in “Sorry to Bother You” and she uniquely delivers such a great depiction of a Millennial creative-careerist-mom-wife as Bianca in the “Creed” movies. I can’t wait to see her in her own starring role, though, not just in a role that’s there mostly to just be a girlfriend or wife.
Three podcast reccos
Books of Your Life, hosted by Goodreads co-founder Elizabeth Khuri. She talks to famous people about the books that have deeply influenced their lives.
Art for Your Ear, hosted by Jealous Curator founder Danielle Krysa. She talks to contemporary artists about their practice, inspirations, and more. Try this episode with Los Angeles-based painter Seonna Hong (that’s her work below).
Unruffled Podcast hosted by Sondra Primeaux and Tammi Salas explores the connection between creativity and recovery through interviews with creators of all stripes. It’s so inspiring. I like that the guests offer their own favorite recovery/creativity tools.
Painting by Seonna Hung
Screen Prism’s “Mad Men” videos
Ahhhh! I LOVE this YouTube channel that features video analysis of film and TV shows and characters. Get ready to binge. They’re like taking a film history, movie 101, and screenplay writing class for free. Of course, the super smart “Mad Men” character examinations are my favorite, but poke around, watch, and have your own movie-like ah-ha moments. (Oh also! Film fans should follow the One Perfect Shot Twitter account. It posts perfectly DOP-ed movie shots. The freeze framing lets you meditate on why a scene is so visually powerful.)
Kopari Coconut Melt
I got this stuff as a free sample from Sephora and I’m so grateful. It’s saving my hands and face this winter, which always sucks the life out of my skin. It’s basically coconut oil cream that melts into your skin once you apply it. Guess I’ll be buying a giant tub of it once this tiny sample is gone.
The “Can You Ever Forgive Me?” soundtrack
In this new movie, Melissa McCarthy is brutally good as author Lee Israel, who is infamous for the forgery she committed of letters by legendary writers (and for her alcoholism, which they depict in the movie with such accuracy and objectivity… the scene where we find out how disgusting her apartment is reminded me of Augusten Burroughs’ apartment reveal in “Dry”; he only shows the reader how disgusting his apartment is once he gets home from rehab).
Gray, cold, and funny, the movie also has a soundtrack that’s lethargic and serene… like a rain cloud you’ve gotten used to and rather enjoy constantly hanging over your head. It’s got so many wonderfuls on it: the Pixies, Peggy Lee, Dinah Washington, Chet Baker, Justin Vivian Bond, and this gorgeous Jeri Southern song that I had never heard before I watched the movie, but that I now want playing whenever I need a rainy day reprieve.
xoxo this album cover and its title… “Coffee, Cigarettes, & Memories.”
This quote from an InStyle interview with civil rights attorney Gloria Allred
“I don’t think fear is useful. I think fear is a weapon that has been used to deny women their rights.”
This passage from “The Woman Upstairs” by Claire Messud
“It was supposed to say ‘Great Artist’ on my tombstone, but if I died right now it would say ‘such a good teacher/daughter/friends instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL. Don’t all women feel the same? The only difference is how much we know we feel it, how in touch we are with our fury. We’re all furies, except the ones who are too damned foolish.”
I think it’s fair to call Leslie Jamison’s recent book about her experience with alcoholism a tome. It’s really long and the wispy pages are as thin as the memory of cigarette smoke. The book tome mixes multiple genres, including memoir, literary criticism, journalism, and cultural critique, into a potent zero proof cocktail. The 14 sections are titled with one-word themes of stops on her addiction and recovery journey (Wonder, Abandon, Blame, Lack, Shame, Surrender, Thirst, Return, Confession, Humbling, Chorus, Salvage, Reckoning, Homecoming). Less like a 14-step guidebook and more like a cycle of grief with ambiguous and overlapping boundaries, “The Recovering” is a must for anyone whose life has been touched by addiction; in fact, that’s exactly who she dedicated the book to. I am especially loving her deconstruction of the myth of the connection between alcohol and the talented creative writer. One thing, she argues, does not beget the other, and we should maybe stop romanticizing a destructive narrative that lets alcoholics stay trapped.
This will sound silly and/or phony and/or a line from an SNL skit about aging hipsters, but I don’t care: I’ve been really into still life paintings lately. Ha! I don’t know when it started (maybe right after we uninstalled Gone, Country?). I am usually drawn to loud, bombastic art or highly graphic design or minimalist pieces bridging on nothingness. Never still life. Ew, boring! Until now. I suppose it’s tied to my desire to slow down a little. I’ve been working like a Bronte madwoman in the attic this year, and I think my psyche is catching up with me. “Seriously, slow the fuck down,” it says. “Here. Look at this pretty painting of material objects and ripe fruit to remind you that you are dust and to dust you shall return. And also that you need to eat something soon, OK?”
And then (devoted readers like me are familiar with this experience) a book I’ve needed to help me put words to what I’m going through found me before I could find it. “Still Life with Oysters and Lemons,” published in 2002, offers a longform musing, dissection, and memoir hybrid-essay that explores the mystery and love of still life artwork. In it, writer Mark Doty is a brilliant word magician (ahem, painter?) who deeply encapsulates the meaning of still life (and a still life). Perhaps no other book about still life needs to be written? “Especially not by you, Jackie, so take a nap,” my psyche moans.
Ugh. Beautiful.
Even Unabridged Bookstore in Lakeview loves this book! I found this talker recommendation AFTER I finished this book. Big magic strikes again.
They also gave me this little friendly reminder. Happy almost holidays!
