You say credenza, I say credanza


My new graphic design credenzas are hotter than Young Tony Danza. Fight me! 

A baby-faced Tony Danza looks tough by also flirty as he pretends to prepare to throw a punch. Oh, also, he's topless. Yesssss.

Here are a few of my recent favorites. 🙂


These versatile mid-century modern-inspired credenzas are ideal TV stands, cat stands, book shelves, drink carts, office cabinets, toy chests, or the perfect complement to your bedroom set.

  • Perfect size. 35.5 x 17.5 x 30 inches.
  • Customizable. Available in a warm, natural birch or a premium walnut finish, with gold or black steel legs. You know who else had steel legs? Young Tony Danza. 
  • Easy to clean. Got a damp cloth? Of course you do. You’re good to go.

Two dead bees lay together in the center of a yellow flower at Red Rock Canyon.

Why I’ll never doubt the power of a flower again


I haven’t heard my grandma, who is suffering from Alzheimer’s and dementia, say a coherent word for nearly three years. She said these last words while receiving communion at the assisted living facility. As everyone genuflected to launch into the lord’s prayer, my grandma did too, saying “Father, son…” and then petering out. I figured those were words she could formulate because she had gone to church and said them every weekend of her entire life until the day she moved in here. Those words were seared into the empty rivulets of her brain, so they didn’t seem a miracle to fish out.

I accepted the reality that I’d probably never hear her say another word again.

And then I did.

A lone ant climbs along the silky petals of a bright yellow dandelion.

It happened on my recent visit, a drop-in at the assisted living facility that marked over a year and a half since I’d seen her (pandemic lockdown).

Once my plane landed, I got my rental car and started on the hour-long route north. I called the nursing home to make sure I could walk-in to see her or whether I needed to make an appointment. I didn’t. I asked then, to the surprise of both myself and a Wanda on the other end of the line, if I could bring flowers. Would that be OK? 

I don’t know what came over me to ask such a thing. I don’t usually bring flowers when I visit. I don’t usually bring flowers for anything. Maybe I thought there needed to feel like there was more gravitas to this moment. I hadn’t seen her in so long. We’d survived a pandemic. Her husband died during that time. I knew she wouldn’t remember me, but flowers… well, anyone can remember those, right?

A small side yard in Chicago is full of dead dandelions. Their fluffy white tufts shine in the sunset behind them.

I thought about just hopping off the highway to a Kroger or a Whole Foods. They always have little flowers packaged up at the end of the aisles. Instead, I looked up the local Marion flower shop, saw they were open, and entered the address into my phone. It felt good to buy from a local family business after the pandemic. Plus, I knew they’d probably have roses. My grandma’s name is Rosemary. Even if she didn’t remember me, I wanted to show that I remembered her. I got half a dozen multicolored roses for Grandma in a glass vase and another half-dozen in a mournful maroon to take to my grandpa’s grave. He loved his Rose. 

A poem by Satyendranath Dutta reads, "If you manage to get one paisa, buy food to feed your hunger... But if you manage two, take half and buy a flower."

When I enter the long-term care wing and ask for Rosie, the nurses look at me grimly, wondering whether I’m prepared for just how far gone she is. I am. They wheel her into her room and shut the door. It’s the two of us.

After some fruitless and awkward talking to her while sitting across from her, I spend most of my time squatting next to her wheelchair, rubbing her back and nervously trying to use my other arm to keep her in her seat. The medication they gave her keeps her nodding in and out of sleep. She doesn’t register my presence when she has to look at me, but she seems to lean into my hugs.

So I position her so that when she wakes up from the brief naps, she’ll see only the flowers, now sitting on a table in her room. 

And that’s when it happened. I was squatting by her side, arms around her, when she woke up and, clear as day, said, “Flowers for me.”

Three little words. One moment I’ll remember forever. 🌹


A white and yellow daisy embroidery art on a tractor wheel, part of a black and white historical photo of farming in America.
Found photo collage on a small black notebook. A miniature-sized farmer opens his bag to reveal a giant flower.

She passed away two weekends later. While writing her obituary, I turned to my notebook of stories written by her and my grandpa. There I found another gift. A recollection of her first memory: “I was about 2 ½ years old then. [Brother] Eugene and I were in the barnyard with Dad. We were standing near a wagon watching the men who were taking the horses. Well, about the time one of the horses was being led to the truck to be taken away. Dad put his hands under my arms and swooped me up into the wagon, as he did with Eugene. I remember the horses coming by the wagon bobbling their head like horses do when they walk. I was about eye-to-eye level with the horses. I think this is the earliest memory of my life.”


Matching totebag, notebook, and bookbag by macro.baby

Back to school bookbag and notebook combos


These back to school bookbag and notebook combos by macro.baby fit the trends—and everything else you need them to hold.

The backpacks have a heavy-duty construction, padded nylon backs and bottoms with durable spun poly fabric, and an interior pocket for a laptop. The notebooks are on a high-quality 70-pound paper and feature an anti-scuff laminate cover with a super-soft matte feel.

Mostly, though, they look cool, right? Right.


Colorblock

Pop of pink

Cool shapes


A string bikini made of orange and yellow neon thread embroidered into a black and white photo.

Summertime and the water’s fine


Neon thread embroidery of teddy and string bikini on a historical photo of a woman hanging working laundry on a clothesline.
“Delicate” by Jackie Mantey // Original image info: Dorothea Lange, 1938, “Women in auto camp for migrant citrus workers. Tulare County, California.”
Detail closeup of neon thread embroidery of teddy and string bikini on a historical photo of a woman hanging working laundry on a clothesline.
There’s a time and a place to air your dirty laundry. That time is now. That place is my heart, girlfriend! ☎️

On our recent trip to New Mexico, I made it all the way to the clouds before realizing I’d forgotten my swimsuit. My old bikini remained rolled up somewhere, seducing moths with its neon thread trim and fading pheromones of summer’s past (chlorine, sunscreen, Red Hot French fries).

How does one end up suit-less on a pool-centric vacation? I blame COVID. It’s been a year and a half of never really leaving the apartment. I don’t know how to plan to be out in the world anymore. I’m still getting my sea legs back under me. Pool legs?

We landed in El Paso and saddled up our slick white Mustang to drive to Las Cruces. As I worked from my laptop at the Airbnb we’d rented for a few days, Justin drove with the top down to Target and tried to find a swimsuit in my size that was as close to cute as possible. 

He came back with this neon orange bikini:

Woman poses in a bright orange bikini while standing beside a blue pool.
Emergency pool purchase swimsuit.

It’s too big in the bottom. The drawers are droopy. Any time I climb out of a pool, waterfalls pour from the sides. I look like a soggy toddler bopping around in a dragging, dirty diaper. 

But who cares. It was a sweet pick. He even snuck a size swap so that the top and bottom are two different sizes. Medium on the top, large on the bottom for my back-country backside. 

I guess that’s just what happens when we forget how to do things we used to remember. We improvise. We make do. We jump in feet first. I’m just happy to be here.


I got a new job, so here are late highlights from my old one


I started a new job in June as a senior content strategist and writer at a Chicago studio (also fully remote!). But between making that transition and traveling for several weeks throughout the month, I haven’t had a chance to post a proper update. Now the point feels moot, so instead I’ll share some of my final work for the college — interviews with recent alum and students. It was such a pleasure writing and editing for California College of the Arts, and I can’t wait to visit campus — and the beach — when I finally get out to the Bay later this year. 🙂

“Writers, poets, playwrights, screenwriters, filmmakers, painters, printmakers, movement practitioners. I’m here to tell you that you’re needed. I was recently having this conversation with one of my friends in the humanities and they said, ‘Well, we’re not curing cancer.’ And I thought, fuck that. I might be inspiring the person who does.

Alum spotlight: Digital media scholar Dorothy Santos

“We have to honor that the environment already gave us those resources to produce those textiles and we need to honor those materials. They’re still useful and they’re beautiful. We just have to find innovative ways to use them. As a society, we consume so many things, all the time, that it won’t be possible to sustain. I like thinking about the hidden history of materials.

The hidden journey of Melissa Rodriguez

“Yes, it is hard—and sometimes even terrifying—but it’s also delicious to be in charge of yourself, to not be subject to other people’s expectations of where you should go and what you should be.”

Alum spotlight: Writer Julie Lythcott-Haims

“Sometimes people get so careerist in the artistic sense; they think it is all being in the studio. But some of my best work and connections were more organic. It’s not something you can game. You have to figure out where the heat is and invest your time and energy—and make the work. So many people get caught up in what the secret is that they don’t have any work when they crack it.”

Stars aligned: Diedrick Brackens and Lauren O’Connell discuss their new exhibition


Published: New art and writing in Intima


I’m excited to have a new essay and artwork featured in the Spring 2021 editing of Intima Journal of Narrative Medicine!

My essay, titled Sleep to Dream, is the story of how a recent medical diagnosis has been a surprising, missing plot point for several of my self-narratives.

“Fatigue is my kryptonite. The never-ending scramble for sleep is simply part of who I am. That was the story I told myself, anyway. Then I fell asleep while alone in a late-night Uber ride and finally admitted that slogging through these onslaughts of exhaustion was cause for concern. 

That’s why I’m here, trying to make small talk with an uninterested sleep technologist pushing electrodes onto my head


Photo essay: Plants of my pandemic


I’m one shot deep into full inoculation. On my calendar, April 19, two weeks after our second shot, is circled in red, the outline of a wound, the unceremonious ending of a dread-full chugging along. I feel… complicated about it? I’ll be able to go hang out. Visit my masked neighbors. Be out again with people and friends. That makes me so happy but I am also shy about making plans, anxious about over-committing, afraid of under-committing. I feel like I have atrophied to my desk chair and the monotony of quarantine has emptied me, a hollowed tree trunk on its side. I have been growing behind a fence, having a conversation with myself in a gated space. And I feel trepidation about what to do once it is gone.